From "Miss" to "On the Beach Alone at Night", and then to this one, my love for Jin Minxi has gradually changed from being ignorant to being addicted and unable to extricate herself. The body has not been transferred. Probably just like this, the personal likes and dislikes of the male protagonist became more and more obvious: this man in casual clothes and awkward posture is not allowed to tarnish the sacredness in his heart even a cent.
Talking about Jin Minxi with female friends, it is also a hit and miss. She is a little white flower who is not familiar with the world, and a wild rose that kills people. There are also a few who can combine this harmless and deadly without trace: Zhang Ziyi, Maggie Cheung, Hao Lei, each has its own merits, or more stubbornness, or more coldness. Jin Minxi's characteristic is probably double childishness, not deliberately pretending to be a pig to eat a tiger, but looking straight at you and telling you that she wants that star, so you go to heaven and earth, holding the determination to die, you will die if you want to die in her hands.
The low-saturation color scheme of the whole film, movies, paintings, low temperature, tobacco and wine, and the supporting roles of eternal literary films are all available. Only the male protagonist's bangs are cluttered from the beginning to the end. I just wanted to ask if I can send a template from Woody Allen's film to save the scene, only to find out that the head curtain also has the purpose of the head curtain: it counts as a wave when flirting with a girl. According to the artifact, when you are embarrassed, you can have hair to tease.
The obvious male dominance of Shangjiao is evident in a few conversations.
"Of course it would be nice to have coffee with someone as good as the director."
"I haven't seen your movie" followed by "I don't like watching movies at all" and "My friends rate your movies very well." high", is such a degree of caution.
The bold praise from men in the restaurant was repeated over and over again, and it was as specific as "eyes really shine" Such a greasy wording. Of course, hurriedly looking for a ring to show determination and intimate whispers is a resounding sugar-coated cannonball for the heroine with a model background. If it wasn't for the heroine's sudden revelation of her sincerity after drinking, the director was overwhelmed, "looking at me so humiliatingly", she would be only half a step away from success.
After a straightforward encounter and acquaintance, there is an arranged conflict.
It was all good until the moment of disguise. But when he met a stranger who didn't shy away, and was torn apart layer by layer in front of someone who tried his best to be courteous, the director Lao Pao'er still couldn't play his scene well. Pulled collar, messy bangs, embarrassed jokes, no detail can hide the panic and embarrassment at that time.
Kim Min-hee emotional transition
Speaking of that marriage, the definition is "premature." But no matter how the prefix changes, even if it is said to be a "mistake", it cannot restore the image of the person in front of him. That's right, you're just another nonsense, trying to get what you want in exchange for your familiar language skills. "At that time, my heart was desolate, and it happened that the one was bright and full of hope, so in order to survive, I caught her and fell in love." Selfish. Such rhetoric may be frank, selfish frankness.
Xiatie's character design minus the proportion of male power is a lot more comfortable.
At the beginning, Miss Paula was missing, so there was less scene of smoking together, less Paula's heartfelt feelings and less fun on the ice rink, except for a middle-aged man standing by the window. From the overhead shot of Paula's condescending prying eyes from the window, to the upward shot of the far and lonely figure of the male protagonist, the male protagonist has only one shot from the cloud to the grounded air.
Regardless of the change of position when they met, the male protagonist still did the same small gesture after the two got up: flipping through the female protagonist's bag, but at this moment the female protagonist asked without hesitation, "Are you watching? What?" Instead, the director had to be embarrassed and confused.
...
the full version is first published in the wild deer barbaricdeer
link please private message
View more about Right Now, Wrong Then reviews
