It's not easy for a woman like Binoche in the movie. After her husband leaves, she can take care of herself and her son. She is busy with work, and she can't forget to be naughty with her son. The husband's friend was in arrears with the rent, and the woman's viciousness and toughness showed, and Binoche looked very irritable. But it's just to protect the house. Binoche is a fascinating woman. When she dubbed the Chinese Yuan Dynasty puppet show [Zhang Shengzhuhai], the camera did not give the puppet show long before she was fully devoted to her. I watched her passionately. Fascinated by his appearance, Zhang Sheng's story emerged in his mind. It was a pleasure to watch her interpret those lines in this way, it felt like she was reciting a poem. Binoche's performance is completely lifeless, and the desire read in his eyes becomes more profound with the flow of life. Many people were moved by her purity and enthusiasm in [Prague Love], and many people were obsessed with Kieslowski's forbearance and bravery in [Blue], and [New Bridge Lover] is enough. The obsession that burns others, including her old face in [Deconstructed Life]... The blonde in the film is passionate and genuine, but for me, I still like her brown hair, which is more profound.
The movie red balloon is always like a watcher, wandering and floating in the sky of Paris, a little red is especially dazzling in the city. This is how life in Paris is told. They are all a little lonely, a little tired, very plain, pay attention to details, and like to talk about art. Binoche just puts a scarf around his neck and it looks particularly good, the temperament of a Parisian woman. The camisole of the female piano teacher in the film is also very beautiful, with a shiny cross section and flowers with national characteristics. Her shoulders and collarbone are beautiful, and her waist feels very enchanting. Or the temperament of a Parisian woman, charming but not coquettish. The little boy doesn't talk much, he is very obedient and obedient. He has big eyes and is sometimes curious. He likes to play marbles, and he gently asks Song Fang if he can play video games. Feeling that life is still peaceful and self-sufficient.
Hou Hsiao-hsien's tribute to the 1956 "Red Balloon" is different and beautiful.
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