1. It's really the worst in the series. It's unimaginable. 2. The previous rapids were only racing and crime. Everything is so pure. Now the rapids are like Mission Impossible and 007. The noble protagonist group is for humans. The life and death of a man is omnipotent in the heavens and on the earth, which is more powerful than hanging out. 3. The characters need to be resurrected casually for the plot, and the villain needs to be whitewashed casually for the plot. You are so awesome that you have resurrected Paul Walker. I will definitely book the show to watch. 4. Screenwriter, do you really think the audience will be moved by the emotional line between the bald brother and his brother who doesn't know where he came from? You're not embarrassed, it's the audience, right? 5. I finally discovered it. It turns out that the only selling point of this movie, "Going to Space", is also a gimmick. I thought it was possible to play new tricks. As a result, there were no action scenes in the space. , Road racing overturned and then exploded boom~ (I didn’t say that there is nothing wrong with the third child. I would like to watch a whole movie of Road Racing, as long as the director can manage the story logic, action details, character lines and The emotional line is handled well. This movie is obviously selling old meat under a new brand, mixed with a lot of elements and concepts. The result is not good at every point. It went into space and thought there would be a big battle. There was nothing. , The final action scene is just the original things that were not even as good as they were before. This is the reason for my disappointment) 6. The laughter is getting more and more not funny. The whole movie relies on one of the black idiots to set off the protagonist group. The bravery and wit of others. 7. It’s not natural to put together the lines hard. Every previous quick excitement has at least one point that moved me. Now the feelings between the characters are really awkward and blunt. The screenwriter knows that the audience knows that the screenwriter is forcing me. Sensational, but the screenwriter still has to force it to be sensational.
8. The more the director shoots, the more impetuous, the more disappointed the audience is. In the future, this series will not consider going to the cinema, let alone watching the premiere. Finish.
(Some things have been added and deleted on the basis of the original comments. Some parts of the previous comments were really biased. After watching the movie, I was very excited and wrote a lot of unobjective words. It was the first time I wrote a film review. Quarrel in the comment area)
View more about F9: The Fast Saga reviews
