Water is his weapon, his shield, his toy, and the channel through which he communicates with people. When he encountered a lawn water pipe, he had a lot of fun; the fat friend couldn't sing, he bathed him with water; when the moving house invaded, he ran them away with water...
Every role is very good. Erming said, "Dad sacrificed." I laughed out loud, then hugged my brother and cried, and I burst into tears again. I am always emotional and sensitive, and when I convey my sincerity, I quickly respond with the softest heart. Pu Cunxin's role is more restrained in comparison, and his performance is also very good, but he always feels that it is not enough. Is this role a cold line?
Fools are very arrogant. Erming walks with branches and runs on the wall. Every time he runs in blue clothes, he drills a telephone pole in the corner. It is always difficult for a fool to change from one state to another. He has to react for a long time when his father dies (or he does not want to believe and admit it), and he desperately resists when the house is demolished and the bathroom is closed. The axis of a fool is cute and precious, and a person who is not stupid can't do it. If he was so persistent and crazy, he would become a fool.
Wouldn't it be better to think of the title of the film "The Bathhouse"? Later, the girl took a shower and got married, and the Tibetans went to a distant place to take a bath with their long heads bowed. They said that in arid areas, they only take baths three times in their lives. Including the fat man who can sing only in the shower, using the mandarin duck bath to "cure" the man's illness, discussing the future bath after the demolition... The theme is made clear and full.
Only 90 minutes, but the protagonist is full of supporting roles. The reason is that as soon as Daming appeared on the stage, he could see that he was out of tune with the environment and unfamiliar with his younger brother. As soon as the curtain was lifted, Dad was giving people a bath, which implied Dad's low profile at work and Daming's inability to hold his face. Looking at the rhythm is not fast, but the technique is sharp, good at choice, the courage to omit, save the scene. The wife on the phone, just listen to a few words from Daming, you can know the image of the wife (of course, the character of this wife is also very stylized) The old man died and disappeared very peacefully, and then the minimalist scene of the mourning hall explained.
It's not enough to understand simplification, but also to do a good job of meticulous characterization. Erming sees that the animal world symbolizes the death of the old father, and the Yangko team that runs at night and meets the fat man finally performed on the same stage... Every scene and every foreshadowing is not in vain, there must be a loop from beginning to end. Thinking of Nortel's "Under the Mask" yesterday, who can answer my doubts?
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