When he came back in a suit and leather shoes, he was very anxious, but it turned out that he misunderstood the meaning of his brother's painting. I didn't mean to blame, I just said I wanted to come back to see you when I saw my father. When I came back, I found that my father, Lao Liu and Er Ming, lived happily every day, and I felt relieved.
I bought a massager for my father, so that my father, who has been bathing and pinching his feet all his life, can also enjoy himself. The director of this point is very careful, not buying unrealistic supplements for the elderly, not buying electricity, but a massager. I don’t know if I’m over-interpreting it, but the appearance of the massager actually reflects the fact that the original bathhouse culture is being replaced by machines in the new era, which actually serves as a metaphor for the subsequent demolition.
Old Liu complained that Erming had lost it when he came back, and said some angry words. His face didn't change, and he felt somewhat indebted to his father, feeling that he didn't accompany his father. In fact, this also coincides with the current relationship between the two generations. Younger groups are going to big cities. The two generations meet once or twice a year, and both of them feel strange at first.
In front of Lao Liu, Daming never revealed some of his predicaments and worries. It wasn't until later that Lao Liu left, and at the end of the film, Daming began to say that he never told his partner that he had a stupid younger brother. Maybe he realized after leaving Lao Liu that Er Ming is also a real person, his younger brother who has his own thoughts. He would defend the bathhouse in his own way, he loved listening to music, he was like everyone else.
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