Made with heart, with a strong humanistic color.
Saying it is a bath is actually a helplessness and sadness for the changing times, an elegy for the seemingly beautiful past, and a sigh for the old Beijing way of life that can never be returned. It confirms that sentence: everything that has passed is memorable.
Pu Cunxin's final position is ambiguous. Does he agree with the old way of life, or does he embrace the new without hesitation?
The two off-screen scenes were beautifully filmed, but they were all about the bathing itself, which was inconsistent with the film's conception and made people play. It can be completely deleted and expanded into two separate films. 8.0
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