Demo, changed your name, don't think I didn't know your original name was "Jian X Hongye".
It is a gift film, but the schedule is not on National Day. I don't know if other countries make this kind of gift film, if they do, I really want to see how they overcome some of the natural shortcomings of gift films.
In a feature film, what matters is the characters. But there are too many characters in the gift film, and there are so many clues that it is difficult to have a main character and a main plot. Without that, the movie is like a graphic illustration of a history book, not a play.
If you want me to write, I don’t want so many characters. I think the characters of Zhang Yi and Jiang Wu are not well written. There are so many scenes that are not worth flipping when the degree of overlap is too high. It's enough to write. Jiang Wu's character arc change and the role played by Ou Hao later overlapped with the role played by Jiang Wu. It seems that Jiang Wu's person should be removed.
Speaking of Ou Hao, this is the only one in the whole film that resembles the protagonist, because he has a complete character arc change. With this character taking the initiative to protect the flag, this character arc has been completed. At that time, I looked at the table below, and it seemed that There are forty minutes of play. I continued to look down, and sure enough, it felt a little strange, the screenwriter teacher started to play with the structure. Jumping out from Ou Hao's point of view, talking about the soldiers' withdrawal from the Sixing Warehouse, he also made a preposition of the ending. Before that, it was a linear structure. This suddenly comes with the preposition of the ending, plus the character arc of the main character Ou Hao. After completing it, I feel that the forty minutes are extra.
At this point, I suddenly found that this film is full of secondary characters, and the key point is that they still have so many scenes, then this film is not a movie, it is not a complete drama, this is a pile of personal plots, so angry/
What does a good war movie look like? Before I watched 800, I hadn't thought about this issue, it was all hearsay, but after watching 800, I understood that a good war movie must respect the truest human nature, not sensational! How boring is it to be provocative, isn't it cultivating little pink for the country, is this moral? If you are hypocritical in the face of a war, that's enough. I don't know if there is such a thing as raising the flag and protecting the flag in history, maybe there is, but does the scene really conform to the real human nature? You have to find a better reason for this kind of hunting, don't just talk about honor, it's the brothers next to you who died, the real people. Please screenwriter teacher and director Dorara "Letter from Iwo Jima" please? A war movie is not supposed to tell people how brave our soldiers are, but how human nature becomes in war. And only the latter path will bring deeper reflection and moving.
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