Maggie Cheung's gold inlaid jade is so powerful, which inn proprietress can act like her, with a hundred exclamation marks, and the lively inn is more angry than the Hu version; the four-person melee in the desert is obviously stylized, worthy of being a new martial arts, The artistic conception of Gu Long was captured in the photo; Brigitte Lin and Maggie Cheung grabbed the clothes and shot beautifully; the only drawback is that I felt that the plot of the worship hall was set too deliberately, and it was unnecessary to deliberately create emotional conflicts. In fact, this place is more suitable for one-night stands.
Hu Jinshuan's Dragon Gate Inn was shot with strict restraint and exquisiteness; Tsui Hark's filming is more dashing - burning Dragon Gate Inn, but also more coquettish - Maggie Cheung's various strengths are provoked, and there is more sadness - two brothers Protecting the child to die, Mo Yan sacrificed.
In short, Tsui Hark is really bold, and it is wonderful to be able to make such an adaptation. The core difference between the two films is really the difference in the world view. The former is a fortress of justice, while the latter is a carnival like ritual collapse.
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