This film is also an important turning point for the two actors:
Brigitte Lin begins to rejuvenate her second spring, from the twisted, nervous, crazy little girls written by Aunt Qiong Yao to become a chivalrous girl, a white-haired witch, an undefeated Dongfang, and a martial arts unparalleled in the world. Murder is invincible but always pitiful. It can be described as a rare successful transformation in film history.
The other is Maggie Cheung. From this film, Maggie Cheung completely got rid of the image of the vase and began to become a real acting star.
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