Those characters in the hospital have too weak motivation for the male protagonist. The story on the ship is very complete, and it is entirely possible to write a more refined story independently. I want to talk about the love of children, I want to write about casino rivers and lakes, and I want to write about the psychological struggle of young people under the solidification of class through the combination of the two. Obviously, it wasn't filmed.
1. The first assumption is wrong: Is the animal world all about profit? The seemingly conspiracy strategy evolved for survival in the animal world is called the Law of Survival, and only what humans care about is called profit. Animals have killed behavior (killing is not for the explicit "interest" of "eating"), parent-child behavior, sacrifice, sympathy and compassion are countless. I started watching it from the conversation about buying a house in the game hall. If the animal world is the priority of interests, I have not seen any introduction to this point of view in the film. On the contrary, human societies such as hospitals, game halls, and capital groups in the film are more like the animal world. The world is all about interests, so it probably means that only the male protagonist sticks to his own way. Why? did not speak.
2. The characters are unfamiliar and the character curve is too sharp: the male protagonist wrote a novel to each other before being locked in the black room, and he was thoughtful when "I went in for you". is abrupt.
3. The male protagonist’s motives are too low: Zhou Dongyu’s photos and words always motivate the male protagonist, that is, the temptation of a prospective lover, but what drives him to disembark is the old mother in the hospital and his own fear of being subjected to genetic experiments. Why does the female protagonist's sentence "I have already chosen" can always motivate the male protagonist? did not speak. After the male protagonist returned to the hospital, he played a prank on Zhou Dongyu. Before the two parted, the female protagonist kept the male protagonist in place. After being betrayed, the reaction to the prank was counterintuitive. At the end of the film, the male protagonist's mental activity "I have walked all the way" when driving a motorcycle, what do they want to express? Too stiff. It sounds like saying, Lao Tzu sees it through, Lao Tzu wants to be in power. The portrayal of the male protagonist in the casino is to say that he is a kind, wise, calm, and keen intelligent multi-star image, which is too contrasted with the image of the little gangster who said the above sentence. If we say that the transformation from the temperamental character of the old hooligan who takes revenge on his lover in the hospital to the calm and sensible avenger of the gambling god in the casino is because we, the smartest wonder boy in the small class, held his breath and wanted to break free. Evil forces, then the moment of disembarking is not a complete success, the mother is still sleeping in the hospital aisle, the serious threat to the relationship with her girlfriend has not dissipated, and after returning to land, she cannot continue to find a new job to support Zhou Dongyu or be self-sufficient. The contradictions and conflicts at the beginning still exist, and they even face more threats because they get on the ship and involve more evil forces. Then say something like "I've walked all the way", it's really just a clown. What is a clown? It's not the shameless sleeping in the aisle, or the obscenity of being green in spirit but red in the heart, or the pride of "breaking the old world, but sticking to my way" in Shengguang, it's the Buddha who uses entertainment as a symbol to please the entertainment world. Humor is the calmness and pity of being looked down upon with cold eyes, and it is the unshakable stone that stands in the wind of social movements under the appearance of harmony. So how do you create an image of a clown who wants to return to a peaceful life but "keep fighting"? Did not speak well.
4. A competent director knows that a good work is the credit of all participants, and a good producer will not put "XXX work" on the screen. Would God innately design a tattoo "Jehovah's Work" on human skin? He knew that human nature itself was his work. Great and humble.
5. The slow motion and special effects praised by oral sex in the short reviews are indeed of high quality, but there must be sincerity in serving the story.
6. The lines still don't work hard, "You're hiding so deep!", "Are you crazy about selling houses?", which is completely inconsistent with the speaker's psychology in the context of the speaker, full of the strong flavor of small town teenagers.
7. The visual performance of the psychological analysis of the card counting is relatively in place, and the connection with the scene is smooth and the logic is smooth, which is a rare highlight of recent domestic films. The reversal and narration of domestic films are often extraordinarily forceful because they have nothing to say, and the gorgeous sound effects are extraordinarily harmonious due to the harsh environment of the film.
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