Are directors and actors reflecting contemporary society?

Miller 2022-04-19 09:03:03

Bizarre murder, complicated case, precise reasoning, unforgettable ending. . .
It's a classic story, it's the same ending, but there are different voices for the same ending.
Can't forget the debate between detectives and people about law, justice, and God. This is a debate without a clear conclusion, in which people get lost in the whirlpool of their beliefs, and neither the murderer nor the detective can extricate themselves.
Is this alluding to contemporary society? Kind people believe in the law, but the law cannot guarantee justice; people believe in justice, but justice is indefinite; people believe in God, but God is silent. . .
So is lynching a way? Do people feel happy after revenge? The detective has insight into the case and insight into the heart, is his faith also shaken?
The last scene is unforgettable. The detective does not have the achievements and ease after solving the case, but has to face the lack of faith and justice in the society and the doubts about his own beliefs. It will become an ethical film in the future.
It's a powerful ending, a lost ending, and a thought-provoking ending.
If you think about the current situation in China and look at such a movie, will you say that the director is alluding to reality? Can those Chen Kaige, Zhang Yimou, and blockbuster directors make such wonderful stories and thought-provoking films?

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Extended Reading

Murder on the Orient Express quotes

  • Mary Debenham: You said of the woman in Istanbul that she knew the rules of her culture and knew what breaking them would mean. So did Cassetti.

    Hercule Poirot: [harshly] And so do you!

    Mary Debenham: When you've been denied justice... you are incomplete. It feels that God has abandoned you in a stark place. I asked God... I think we all did... what we should do, and he said do what is right. And I thought if I did, it would make me complete again.

    Hercule Poirot: [coldly] And are you?

    Mary Debenham: [long pause, then] But I did what was right.

  • Lieutenant Blanchflower: If I may speak out of turn, sir... I think it unjust that one mistake cost Lieutenant Morris so dearly. He was a good man... who was involved in an accident.

    Hercule Poirot: [turns to face him] Unjust?

    Lieutenant Blanchflower: He made an error of judgement. He was a good man.

    Hercule Poirot: It did not have to end in suicide.

    Lieutenant Blanchflower: I think he believed he had no choice.

    Hercule Poirot: A man like your friend, Lieutenant, always has choice, and it was his choice to lie that brought him into difficulty with the law.

    [He turns away]