Before I saw Jiang Wen's debut, I heard about the group of cattle. I didn't watch it when I was young. I received ridicule from the public, but I knew I would choose a suitable time. again before
Jiang Wen tells the story of youth from his era in a semi-autobiographical form. Although the age is different, the troubles of youth are always the same. Ma Xiaojun is the epitome of the general public or Jiang Wen's own. He looks back on everything in the distant future. Illusion and reality are intertwined. Reality is often unsatisfactory. No one hopes that emotions will come from behind. They only want to be specific to themselves, but the emotional bias is obvious. You can't try to change other people's love just because you love deeply. Appearance and leadership, he is just an ordinary person expressing love in his own way, but unfortunately, it is useless to have a heart. The definition of Milan is not clear, because the illusion is intertwined and cannot be identified, so whether her love is firm or not can not guess Ma Xiaojun's own cowardice also makes my heart feel The compulsion of love is even more stupid, but youth is reckless
Jiang Wen expresses his reckless youth, a summer that will always be remembered, the hot sun in summer, the swirling tree shadows, the sticky sweat, the heavy breathing, and the beautiful body. These things make youth materialize. Duan is the fun and longing for love at that time, but when the opportunity comes in front of you, you are often overwhelmed. Summer cannot only be used to remember, so people have to constantly reflect and learn. I don’t know what Ma Xiaojun got in that summer.
The lens of this film is very worth learning. It does not use any so-called advanced techniques to give the audience visual and emotional changes by means of follow-up and multiple close-up pictures. It is very academic, and the shooting method is worth learning. The blur transition is also very classic in the lens. The choice of composition, tone, camera position, and mise-en-scene show that I benefited a lot from that sunny summer.
What is more curious is that the era of the background setting is in an era when the country is extremely dark, but the director tells about a vigorous youth. It is the departure of those parents that makes these children so wild and reckless. If there is company and discipline, this generation will not be able to Different? In the era when socialism was the most intense, these children smoked, drank, fought and flirted with girls, and there was no difference between them now, but the regional location has changed. I always thought that this was a change that came after the reform and opening up. What's the matter? But human nature is always the same. I think that the vigorous generation was my uncle's peers. They are all proficient in the way of drinking. reckless young people will fall into this eventually like the guru said that oppa ends up being a fool
Bright and dark under the sun Youth is the refreshing and unknown filth in the memories of the swimming pool in summer I won't let me fall, I'm not allowed to fall, I'm not allowed to go with the flow, I'm not allowed to fall asleep, but in reality, I'm always trampled by people and immersed in those dark waves
What will everyone be like when we meet again after many years? Friends from the past
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