If "Swordsman 1" is more concerned with politics, "Smile 2" is more about love.
Yue Lingshan's tomboy is not a woman, and the fact she faces is cruel. She struggles, no matter how beautiful she is, she is not in love after all. In the end, when Linghu Chong and Ren Yingying are looking at each other, Linghu Chong slaps her head away.
Ren Yingying has love, but she has too many burdens. Not only does he bear the religion of the gods, but he also has his own restraint. It's not that she doesn't know how to prepare (singing songs and pretending to wait for Linghu Chong to come, and letting Lan Fenghuang go outside to guard), but firstly, God's will to make people, secondly, God's will tells her that if Linghuchong's love can't be achieved, she is willing to abandon it. It's not enough to walk away like he did against the East.
Before Dongfang Invincible threw himself into his career, he felt that he already knew about love. Shishi was a concubine, not a wife. Their love relationship and trust showed Dongfang Invincible's level of love before meeting Linghu Chong. It was above the average level, but after seeing Linghu Chong, he found that he had to overturn too many previous judgments, and there was too much confusion.
Linghu Chong made him understand love, and becoming a woman made him understand love even more. Under the double superposition, he gave up everything in his life, and finally, like Linghu Chong, he was able to abandon everything because of love (the last one withdrew the magic needle).
The foundation of "Laughter 2" is the story of a man named Dongfang Invincible. He pursues rights and fame, which we usually call the secular but which no one will really abandon. In order to pursue what we commonly call "" "The Peak of Life" abandoned everything, no friends, no wife (only one lover), even the "people" thing, and finally because of "love" he abandoned everything before, and left with a beautiful smile.
If you look closely at Hong Kong movies, most of them are the core of tragedy.
In this movie, Linghu Chong is really not the protagonist. In the end, he felt guilty at the seaside (the word guilt is not very precise, and I didn't know what word to use for a while. In the last series of poems, Dongfang Invincible was a man, etc.) The operation can be said to confuse him. Linghu Chong himself knows that he is in love with Dongfang Invincible, and he has the same interest. He said to the jug that I only found out about your ugly details. But at this time, he was confused. And shaken), even though he pushed Yue Lingshan away, and although he persuaded Ren Yingying to go to Fusang with him, he could no longer let go of everything like before, and he let go of Ren Yingying's hand.
I dislike him.
Although this way of writing can make Linghu Chong more like an ordinary person and make the story more full, maybe this is the ending that should have been, in a world where everyone is trapped by love and loves and hates love.
But still hate it.
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