At first, the children thought that the nightmare would end one day, because someone would come to pick them up; when their hope was dashed, they could also leave, because there was always a day when they were fifteen years old; fifteen years old did not mean liberation, they always One day they will resist, they may die if they resist, and they will suffer more torture, but they also finally look forward to the day they will be rescued. The bridge section of the water tower is a bit exciting. The little male protagonist didn’t dare to climb at first. Later, as an astronaut, he used it as a safe haven, but the tall teacher only dared to stretch his hand on the ladder to pull it; the little boy at the beginning of the movie He didn't dare to jump, and was finally caught. At the end, he jumped to the moon of his dreams in a space suit, and got rid of the chase behind him.
Fortunately, not dead.
At the same time, you can also see that the importance of words, the language itself, those words and the spiritual support that comes from them are powerful, especially for children living in darkness.
"We stay here and we have to be ghosts so they don't notice us.
I don't want to be ghosts, I want to be astronauts.
But how can I be mindless?
I need to be a ghost, but I don't want to be , it's not something I can do."
These are the questions the children begin to ask, but as the days go by, they also learn to be ghosts. To be honest, the final outburst of the little male protagonist was something I didn't expect. I don't know how much art is involved here, but these actions are undoubtedly wonderful, at least for me, when I smashed the car and called the principal, I didn't know what was going on.
"What about those dogs and monkeys?" "Will die", "The astronauts don't know what will happen until they open the glass."
These words are also interesting.
Various teachers can also have a little aftertaste. The principal's performance is undoubtedly the best, which makes me want to find another of his movies to watch. The female teacher wanted to be a mother, but if she slapped her, she wouldn't have the right to teach her children that way. The principal was also a little confused after this slap. Of course, there are thug teachers, who may have been waiting to take over, and pedophile teachers. It seems that where there are children, there will always be such perversions. As for the middle-aged female teacher, she has long been accustomed to everything, just taking care of the half-dead children who were beaten. You can say that she is an accomplice, but without her, will the child's life be better? Not seen either. The uncle in the film is naturally a coward, but also true. But the brilliance of motherhood and the weight of mothers in children's hearts and their importance to children are definitely emphasized in the movie.
The perfect ending makes the film change from gray to tenderness at the end, melting people's hearts, but naturally there is no power that tragedy can bring. What if there wasn't such an honest prosecutor? What if the principal kept making a prosecutor's car accident? The direct result of being exposed is imprisonment, and it will not be short. Since this is already the case, it is not impossible to be decisive.
In short, if you like warmth, like children, and are still a girl, this movie is suitable.
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