Throughout the entire fifth generation, Chen Kaige is the most complicated. At the beginning of its inception, he was a leader in the limelight. "Yellow Earth" was a blockbuster, with a brand-new directing technique and profound reflection on Chinese traditional culture. "Kid King" is even better. Although the fifth generation shocked the film industry with a revolution in modeling, but unlike Zhang Yimou, who leaned sharply toward the modeling and was full of craftsmanship, Chen Kaige exuded the temperament of a poet. He really wanted to tell it, he wanted to Express his confusion and his thoughts. However, Cheng Ye's "King of the Child" also lost "King of the Child". In stark contrast to the compliments in the domestic critics, "King of the Child" failed in Cannes, while Zhang Yimou's enthusiastic pseudo-folk myth "Red Sorghum" won the championship in Berlin. And "Old Well", which Zhang Xian took the lead in, won him the best actor crown at the Tokyo Film Festival. In the same year, one person and one film, the situation of the two people is so different, compared with the past when the spring breeze was proud, it is difficult to say that Chen Kaige will have nothing in his heart.
I haven't seen "Walking and Watching" after "Kid King", but after watching Chen Kaige Shen Ji and making other films, I always feel that there is a lot of energy in it. Calmness and indifference. This actually leads to another question, in the face of fame and fortune, can we really be unmoved and be like clouds and soil.
Faith is a very good thing, it keeps us in a firm belief all the time. He makes people believe that there is always God's eyes watching, and all the pain and suffering that seem to be meaningless have become the grace chosen by God. But for most Chinese people, the lack of belief will inevitably make people rely on external assessments to a certain extent to prove their worth or existence.
A year ago, Chen Tao asked us to fill in the blanks. This is a society of ( ). This is a successful society. Chen Kaige's film is far away from Chen Tao's fill-in-the-blank question. In this bracket, Chen fills in the supremacy of truth and the purity of art, but he finally gave up the banter and confusion of the veteran who represented their generation. A mysterious and seductive oriental visual spectacle unfolds in front of the Palm, fulfilling the dream of Cannes dominance. Since then, he has made "Wuji", which has been scolded by thousands of people. It is difficult to say that Wuji is the movie Chen Kaige dreams of making, and it is the true meaning of art that he has pursued throughout his life. Unless he said that I regard the industrialization of Chinese films as my only career, I just sacrifice myself selflessly to pave a smooth road for later blockbusters. Chen's choice is self-evident, so it is not difficult for us to know that "Stay With Me" is nothing more than a myth about emotion and art told by Chen.
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