Simple and solid is the true master

Mable 2022-04-23 07:04:43

The movie was seen on TV. From the beginning to the end when Liu Cheng took his son Liu Xiaochun to Mr. Jiang's house for apprenticeship, it felt very complete. The three frames of two main contrasting tones and one auxiliary tone are constantly switched and advanced, making the film very clear and full.
Several tones correspond to several rooms and several scenes. The contrasting color is the warm color represented by the Beijing courtyard room rented by the two fathers and the son and the house of Teacher Jiang: the room is full of sunlight during the day, and the golden light pours in everywhere and falls on the characters. It splashed again. Sometimes there is a fire, red and hot, radiating heat with the cheerful sound of a violin. The second contrasting color is obviously the cool tones in Professor Yu's home. Can't tell day or night, it's always covered with a layer of blue ash. The third color came from Lily's room, although the sunlight pouring into the room was no longer perpetually golden like the wrong white balance, but a bright, clean white light. But the furniture in the house began to flash, with rose-red tablecloths and large chairs, then colorful heels and orange tops. Although there is no sun-like light represented by his father, it still exudes a fresh breath.
The story mainly takes place in these scenes, bright, gloomy, colorful, warm and cold. . The screen switched over and over again, and finally pushed the plot to a climax - Liu Xiaochun rushed to the train station in a row, shouting "Dad!" on the second floor of the atrium, and then Liu Xiaochun, who picked up the baby at the train station thirteen years ago Cheng made an "eh" in the crowd. At first, I didn't see that Liu Cheng in the picture was holding a baby in his hand, and he quite liked this episode. Afterwards, his son Liu Xiaochun played with tears and Bai Mo, who was sawed by the bow of the piano, and the expression was really perfect.
The whole movie is very simple, which reminds me of Mizuki's article comparing Akira Kurosawa's "Seven Samurai" with the typical domestic movie "Red Cliff". Of course, I think "The Promise", also directed by Chen Kaige, is also in the middle. gun. She said: A true master is usually a person of great honesty. A real master doesn't take pictures of things he didn't even think about. He knows what he knows and what he doesn't know. It seems that when Chen Kaige was filming "The Promise", his mind must be full of mud. He came here and there for a while. He didn't know what he wanted, so he hurriedly released the whole movie to keep up with the times. . But fortunately, his recent "Search" shows a return, especially to the subject matter, to self-judgment.

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Extended Reading
  • Vella 2022-03-21 09:03:17

    The final cross-cut is still a little touched, but I really don't understand the boy's repeated attempts to die, what is the purpose of giving up the ascending channel to express his love for his father? ! (Chen Hong is so pretty)

  • Sterling 2022-03-24 09:03:38

    When it was released back then, it was very amazing. Taking off the not-so-smart and sensational coat, the essence of the film was to explore philosophical issues. In China, which has just entered 2000, everyone, like Liu Xiaochun, has already lost himself. How people who want to awaken and how to find themselves is a common problem faced by everyone in the film. The performance of Wang Zhiwen and Chen Hong in this film has reached the level of national actors, and the director Chen Kaige has contributed greatly. 4.5 stars

He ni zai yi qi quotes

  • Liu Xiaochun: [in Mandarin] Dad, my back itches.

    Liu Cheng: [in Mandarin] Here.