Search together, let the resonance stop waiting

Aida 2022-04-23 07:04:43

I have been hesitating whether I should take the liberty of commenting on this film, because the lack of ink in my belly makes it easy to set up many vague and wrong definitions, which confuse the perspective and degrade myself. In the end, if the film is desecrated, those deep resonances and touches will no longer be able to be told.

In any case, it's here, let's start gently.




A piano, two very different countries, twos and threes of ordinary people, because of a simple and moving story, implicated in entanglements. Perhaps, on this colorful scroll, they are just sporadic embellishments.

The themes presented in this film are too numerous to describe. For me, the one that touches the most resonance is the second




family relationship, which tells the endless legendary words, thousands of words and expressions are merciful here, and worship under its ankles. All the classic chapters that have once described and praised it seem to have exhausted the essence of this sacred word, but also for future generations how to uncover the beauty behind it, there are too many obstacles that are difficult to surpass. But this film, with its real nuanced precision and the artistic character of elegant music, opens up a shortcut to the door of our resonance and keeps the story from being mediocre. We are moved by the truth and choose to remember it not because of the simple plot, but because of the word of family that has been hidden in our hearts for a long time.

Looking back at the film, Mr. Liu Peiqi's penetrating performance made Liu Cheng, the character who drives the whole story, vividly reflect the image of the father in everyone's heart. Sincerely and emotionally, we felt the vibration of real power in the silent listening with bated breath.

In the film, Liu Cheng Liu Xiaochun's piano career, fearlessly knocks on the cold doors everywhere in this strange world, and bravely runs around for a living in the desolate and poignant melody of the gypsy song. Everything, just for his son. A common belief and spiritual support in the hearts of all parents, ignited his thin body that was still smiling timidly in front of strangers, and moved forward with resolute eyes. What was portrayed in that scene, Liu Cheng's busy and humble back, conveyed a deep and powerful cry, a father's responsibility, and a man-like determination to fight. He relentlessly enriched his life for this blindness, silently accepted the tragic role that fate had thrown him, and lived in the darkest corners of society. But he resisted unyieldingly. He wanted to devote his life's blood to caring and forging, which belonged to Liu Xiaochun, another brand new life destiny. Sustenance and derivation, his beautiful vision that can never be touched in this unfair society. Because he firmly believed that the secret locked in his heart, the story full of legends that no one knew, was destined to be an indelible proof that fate would admire the future and repent of the past. Even this would be the place where the gloomy and complicated knot in the heart would completely destroy this great man. Of course, he still couldn't get rid of it in the end, and the twilight came, the fragile hurt of parting.

At the end of the film, Liu Xiaochun acts as the slender fingers of the strings, and dances violently and crazy on the violin. Weeping blood and lamenting, more importantly, in the moment of awakening from a dream, I confided to my heart's content, the deepest respect and love for this strange and familiar man in front of me. They gave each other a relaxed and open-minded hug, abandoned the pomp and shackles, and the happy family overflowed with the tears of everyone.

The lingering sound lingers, and the warmth continues. Under the open-ended ending of reverie, what is left unsaid is the self, a small and humble individual. Gradually, it is understood with tears that all the dust is hidden in the story of the years, and the selfless dedication of the parents. I believe that each of us has a time when the wood is cold and quiet like an iceberg, but in a sea called family affection, when the warmth melts, it will disappear silently. But the follow-up wake up to make up, but how can not restore the desolation of Candle's annihilation, what is left is only endless guilt and remorse. Looking at gratitude, the words are already pale and powerless. What we need is not a commitment, but a memory; not an appeal, but an inheritance.




Then, turn to the level of practical significance that the film focuses on analyzing. Peeping the leopard in the tube, what is revealed is always vague and twisted. We need to restore and expose the real whole by ourselves.

Whether it is the stark presentation of the gap between the rich and the poor, the arrogance and snobbery of contemporary urbanites, or the disgusting camouflage and deception of modern people, all of them can be satirized and criticized from the unique perspective of the film. The society that the film is trying to exaggerate is full of dazzling Chinese colors. We unconsciously recognize and understand. Are we glad that we have escaped fortunately, or can we only answer ourselves with a wry smile?

At the beginning of the new century, people were infected with a too strong impetuous atmosphere, and they numbly pushed their turbid and tired bodies just for the faint hope of begging. On the spiritual ruins, they are devouring the once noble spiritual beliefs; they are also forgetting the truth that life has repeatedly interpreted. Meditating on the cognitively depleted past, we are hungry for the spiritual opium of mystical religions and autocratic monarchs, battered simply and happily, and alive for ourselves. At present, we have the essence of history and culture that has accumulated over the years, but we have lost our spiritual beliefs and are buried in an inexplicable and wonderful world. Looking up at the towers of the modern hierarchy of sin, struggling in the whirlpool of snobbery, wondering who we are living for? On the stage of Nuoda, they are portrayed with great effort in the film. The villain acts as a harlequin without knowing it, while the elegant violin gathered by the lights is playing quietly. Speechless and snubbed, that is the most elegant defense and counterattack of art.

And those of us who have fully watched all of this must slowly chew on the meaning of our life and think about our own belonging in the gap of contrast.




It has nothing to do with showing off or falsehood. My real experience of learning the violin and visiting famous teachers really made me feel the great charm of the violin after watching the whole movie, and at the same time, I got all kinds of unpleasant insights because of the resonance.

Perhaps, your moving will also emerge quietly with the call of resonance.

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Extended Reading

He ni zai yi qi quotes

  • Liu Xiaochun: [in Mandarin] Dad, my back itches.

    Liu Cheng: [in Mandarin] Here.