I didn't understand what I was doing in the first half, and the plot in the back was a little confusing. The director seemed to have a lot to say. The father-son relationship is basically indifferent except for the final expression. The switching of shots at the end of the film and the crossing of time are impressive to me, and the first half can be completely deleted. As for Lily, it's not bad to not appear at all, there is no need to forcefully pull the issue of men and women in society to show that the director has a wide range of thinking.
But ok because of its ending.
A depressed teacher Jiang who loves music, a teacher Yu standing in the spotlight; a girl who finally completed her dream competition in front of the symphony, and a boy who played the most touching melody to his father at the train station at the same time. . .
In the end, the girl chose a successful shell, and the boy chose emotional music.
The movie may have his tendencies, which side it supports. But it's also good to be able to elicit the source of some random thoughts.
I just wanted to say, why gloomy, why jealous, why sad, why revel, what is it that really makes you so? Is it the love and ideals above the ivory tower, or the illusion of success?
I suddenly don't want to talk about it, so let's just leave it...
As for the rest, I still like "I can't live without you", it's clean, pure, and light, even when Takeo jumped off the bridge, there wasn't much exaggeration, just like real life, I like that dull or even boring life Emotions expressed.
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