Finally, the flood waters over the chalet, the perfume next to the tailor floats up, Ma Jianling plays the violin, Luo Ming reads Balzac to the little tailor, and the images of the three young men reappear there again, as if only time has passed, and they stay here forever. I realized that the protagonist of the original story was never Ma Jianling, but a little tailor. In the end, she was indeed changed. She was no longer an ignorant mountain village girl, but she was gone too. Luo Ming said to the little tailor, I love you so much, but you just leave without saying a word. Luo Ming is impulsive, sleek, and cunning. He was kept in the dark, but his edges and corners broke through the screen and showed clearly in front of you. He and Ma Jianling, two arrogant young people from the outside world, lived with difficulty in this "re-education" environment. I don't know which part to sigh for, their love, or the tragedy of this era. Perhaps the film's brilliance and shortcomings are here. The sorrow of the times is mixed in their lives, and occasionally only a scaly horn is revealed, and you feel that a heavy stone is pressed against your heart, but he does not reveal the cruel things directly, just like Ma Jianling's broken glass in the hospital Crying behind the window, the doctor asked him, why are you crying, is it for your father or for Fu Lei? I don't know, I don't know. I remembered Ma Jianling playing the violin outside the house when the little tailor was lying on the bed for an abortion. The captain came over to listen and asked him who was screaming. He said, it was the high-pitched scream of my violin. This movie is really cunning, I don’t know where the emotional explosion is, and occasionally there are a few cool humors, the whole film is heavy on the head, making people throat pain. Have Luo Ming and Ma Jianling changed? No, even if they do physical work, they still feel that they are very clever, while others are ignorant. Their love for the little tailor was condescending, so when the little tailor changed as they wished, they tasted the bitterness of the fruit they brewed. What is love like? Maybe when Luo Ming hitchhiked back to the city and the little tailor ran in the exhaust of the car, the ending was already doomed. Maybe Luo Ming saw something, so he shouted to the little tailor so anxiously, don't run. Did the little tailor love him very much? It should be, but the moment Luo Ming said I would teach you to read, the story could not be changed. As far as I can recall, the most beautiful time about the three of them was when Ma Jianling saw Luo Ming lying side by side in the shade with the little tailor, and ran over to lie down. The little tailor took the two of them by the hand, The sun shone down from the branches and fell on their faces. After that, every time Luo Ming walked with the little tailor In the front, Ma Jianling slowly stood up in the back, and there was some sadness on his face. The clearest feeling this movie gives me is that it is still unfinished. There has never been a scene that is full of heart and soul. There are always some blanks left to our own imagination. It is really poking people. What came out was much more painful than the calmness on the surface. It's like if you put your hand into the lake and you will touch a round stone, or you will be bitten by a snake in the water, you don't know. In fact, for me, the most tragic character in this movie is the captain. When I heard that the captain almost became a revolutionary martyr in order to save the portrait of Chairman Mao and the alarm clock, my heart seemed to be beaten heavily by something. Probably what the movie wants to convey to us, the reason for all this tragedy. In the later memories, the captain had grown old and still had the alarm clock by his hand. When he heard Ma Jianling say that the alarm clock was 20 minutes late, obvious sadness appeared on his face, and it quickly disappeared, leaving only a little bit behind. Helpless, said, is it, it is the same as me, are old. What a sad and hateful typical character. He kept saying to Luo Ming and the others that you were from a bad background, but he always said that he was a poor and lower-middle peasant. He lived in the dark side of the times. In the end, the little tailor escaped from the dark side through Balzac, and he was still here. life in the village. We can comment on him from the height of sympathy, saying that he is ignorant, that he was ridiculous when he was deceived by Luo Ming and the others, and that these villagers who blindly follow Chairman Mao's hatred of the bourgeoisie are hateful. But every time I hear him say that Mozart misses Chairman Mao, all that fills my heart is the powerlessness for the mistakes of an era, and this kind of thinking does not include these villagers. When Luo Ming was telling them about the movie Flower Girl, Ma Jianling made snow with rice bran. The fake snow fell from the air and fell on the heads and faces of the people sitting together, stacking a thin layer on the shoulders. , at that time, time seemed slow, like a random and beautiful syllable on a violin. The tragic character is the captain. When I heard that the captain almost became a revolutionary martyr in order to save the portrait of Chairman Mao and the alarm clock, my heart seemed to be beaten heavily by something. Probably what the movie wants to convey to us, the reason for all this tragedy. In the later memories, the captain had grown old and still had the alarm clock by his hand. When he heard Ma Jianling say that the alarm clock was 20 minutes late, obvious sadness appeared on his face, and it quickly disappeared, leaving only a little bit behind. Helpless, said, is it, it is the same as me, are old. What a sad and hateful typical character. He kept saying to Luo Ming and the others that you were from a bad background, but he always said that he was a poor and lower-middle peasant. He lived in the dark side of the times. In the end, the little tailor escaped from the dark side through Balzac, and he was still here. life in the village. We can comment on him from the height of sympathy, saying that he is ignorant, that he was ridiculous when he was deceived by Luo Ming and the others, and that these villagers who blindly follow Chairman Mao's hatred of the bourgeoisie are hateful. But every time I hear him say that Mozart misses Chairman Mao, all that fills my heart is the powerlessness for the mistakes of an era, and this kind of thinking does not include these villagers. When Luo Ming was telling them about the movie Flower Girl, Ma Jianling made snow with rice bran. The fake snow fell from the air and fell on the heads and faces of the people sitting together, stacking a thin layer on the shoulders. , at that time, time seemed slow, like a random and beautiful syllable on a violin. The tragic character is the captain. When I heard that the captain almost became a revolutionary martyr in order to save the portrait of Chairman Mao and the alarm clock, my heart seemed to be beaten heavily by something. Probably what the movie wants to convey to us, the reason for all this tragedy. In the later memories, the captain had grown old and still had the alarm clock by his hand. When he heard Ma Jianling say that the alarm clock was 20 minutes late, obvious sadness appeared on his face, and it quickly disappeared, leaving only a little bit behind. Helpless, said, is it, it is the same as me, are old. What a sad and hateful typical character. He kept saying to Luo Ming and the others that you were from a bad background, but he always said that he was a poor and lower-middle peasant. He lived in the dark side of the times. In the end, the little tailor escaped from the dark side through Balzac, and he was still here. life in the village. We can comment on him from the height of sympathy, saying that he is ignorant, that he was ridiculous when he was deceived by Luo Ming and the others, and that these villagers who blindly follow Chairman Mao's hatred of the bourgeoisie are hateful. But every time I hear him say that Mozart misses Chairman Mao, all that fills my heart is the powerlessness for the mistakes of an era, and this kind of thinking does not include these villagers. When Luo Ming was telling them about the movie Flower Girl, Ma Jianling made snow with rice bran. The fake snow fell from the air and fell on the heads and faces of the people sitting together, stacking a thin layer on the shoulders. , at that time, time seemed slow, like a random and beautiful syllable on a violin. For the powerlessness of an era's mistakes, this idea does not cover these villagers. When Luo Ming was telling them about the movie Flower Girl, Ma Jianling made snow with rice bran. The fake snow fell from the air and fell on the heads and faces of the people sitting together, stacking a thin layer on the shoulders. , at that time, time seemed slow, like a random and beautiful syllable on a violin. For the powerlessness of an era's mistakes, this idea does not cover these villagers. When Luo Ming was telling them about the movie Flower Girl, Ma Jianling made snow with rice bran. The fake snow fell from the air and fell on the heads and faces of the people sitting together, stacking a thin layer on the shoulders. , at that time, time seemed slow, like a random and beautiful syllable on a violin.
View more about Balzac and the Little Chinese Seamstress reviews
