I watched Wang Xiaobo's "Golden Age" in the daytime, and I flipped out the film I watched in college and re-watched it again. When I watched it in college, I didn't pay attention to many details in the film, nor did I understand many deep meanings in the film. Looking back today, I am very emotional. 1. At the beginning of the happy youth in the absurd years, the burnt "recipe" and the serious "Mozart will always miss Chairman Mao" are all people can't help laughing, Luo Ming's sharp teeth and Ma Jianling's dull and honest two different personalities immediately appeared , but also paved the way for the love of the three later. The swaying dung, the dark and laborious mines, and the brutal and savage treatment methods all reflect the absurdity and suffering of that era. "Four Eyes" said in the high-sounding presentation of the results of the transformation that "the cow has become docile and lovely", and he was still ploughing the fields on Sunday to show his anger when his eyes were swept away by the bulls, and he drank the blood of the cows when he killed the cows on the return trip. The joy and joy of repaying the revenge for the great revenge all testify to the falsity and absurdity of the results of this transformation. If it is said that "Four Eyes" has too much helplessness and forbearance of the intellectual youth of that era, it is a silent whimper and a helpless compromise, then the three people in Rome and the little tailor are showing the madness of youth in a special era—— They used rice bran to melt the snow to recreate the feeling of "The Flower Girl", led the ignorant villagers to shout and pay tribute to Balzac, and reconciled the hard and dull life of the villagers with vivid stories. They slow down the alarm clock to buy more reading time, they steal books and collect books to read, and find love and freedom in the ban, (the book cave reminds me of "Dead Poets Society") They embellish the sailor symbol that symbolizes freedom for the first time Dresses for women in mountain villages. What they played in literature, music and innocence was not the whimpering and lamenting in the hard times, but the romantic and joyful youth. (Although this youth cannot erase the scars of the times) The film is different from the revelation of suffering and scars in works such as "Transparent Carrots" and "Heavenly Bath", but shows us the suffering youth full of love and purity!
2. Ma Jianling's Tears and the Exodus of the Little Tailor
Both young people are seriously in love with the kind and bright little tailor. As Luo Ming said at the end of the film, I know you love her too! Luo Ming's love is straightforward and ardent, while Ma Jianling's love is gentle and heavy. Ma will always stare tenderly and guard silently. Ma wearing a sheepskin jacket with a copy of "John Christopher" to ask the doctor to help the little tailor to have an abortion is really moving, and even he himself weeps inexplicably, in order to become the father of the class enemy? For the suffering translator Fu Lei? For the lonely and wronged self? There are too many complicated and turbid emotions in the pure tears of the youth!
There is some infinite tenderness in his affectionate ending with a violin to watch for the abortion doctor and the little tailor.
After going to the country for many years, I did not forget to buy perfume as a gift for the little tailor. After finding love, I insisted on going into the water just to find her name in the paper boat full of rivers! A horse's love is as long and moving as his violin!
At the end of the film, the little tailor cuts and leaves, inspired by Balzac's remarks about "there is more than one kind of beauty in a woman". Some people think that the little tailor's awakening is too abrupt, but in fact, from the very beginning, the little tailor's performance Different from the average person in the village, she is bold, enthusiastic and full of curiosity - she opened the alarm clock to find out, she encouraged the stealing of books and actively covered it, she responded directly and bravely to Luo Ming's love, and sincerely and sincerely thanked Ma Jianling for her goodness. Two teenagers gave her the enthusiasm and enlightenment of youth, and Balzac threw a match to her already restless and fiery youth, and from then on this life burst into flames.
3. Homecoming
At the end of the film, there is infinite sadness - the flood submerged the Phoenix Mountain, the turbid river flooded the sewing machine of the old tailor, but what emerged in the water was the never-returned youth of that generation! Ma Jianling said that there was still the sound of their reading and laughing in the library hole, so the two middle-aged men toasted and swallowed the silent fleeting years!
(What I write are all elementary school students' compositions, rubbish)
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