This movie can also be roughly classified as an American-style loser film, with a score of 6.8 on IMDB, which is high for its simple plot. I personally like it for two reasons. One is that it is plain enough, unlike other losers who are deliberately decadent. The protagonist is not disgusted with the world and playing art, but he is stupid, can't make money, and can be intimidated by little kids. "Little Sunshine" is a little inspirational, but this film does not have it at all; the second is because it has a little fantasy, such as the blue big head standing lonely on the side of the road, walking through the fields lonely, can make us look dazed, At the same time, he was careful that his liver was still aching, but he did not shy away from the fact that the big blue head hung down pitifully from beginning to end, right, but the protagonist was actually standing upright inside, he was not melancholy at all, Instead, it was sultry, irritable, and in a daze. If it wasn't for the children surrounding him, he probably would never have known how kawaii his image was.
This thought got me thinking. Melancholy and silence, characteristics that are often observed in ourselves and others, are not necessarily the real person, but just a conscious or unrecognizable wall of separation. It is said that people live in the world with all kinds of masks. This statement should be upgraded. We are all the work of mascots.
The director and the screenwriter are all the guys in Baby Blue. The heroine is the phoebe of the six-person line, her appearance is old, and her temperament is still the same.
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