It has the same taste as Jackie Chan's movies, whether it is the plot narrative of the whole film, some fights, or the ending and ending tidbits are Jackie Chan's taste.
The whole action movie is okay, exciting enough, but like I said in the last paragraph, it is too familiar, and the narrative plot is a little old-fashioned in retrospect. In addition to this African story, the special effects are a little out of the way.
I think it's a sentimental film, just when you see this film, oh, I recall my childhood, the feeling of Uncle Long movies.
In fact, what I saw in it was a little strange. Allen couldn't defuse the bomb when the countdown was over. Yang Yang's bomb was defused when Allen gave him a pair of pliers. I was stunned, what did I do earlier? Hahaha. Of course, you know that Yang Yang is no longer your employee, and you still make such a complicated process of tying bombs and stepping on landmines.
There is also the big boss. He obviously wants gold. He still has to fight the vanguard and has to kill his daughter. You said that threatening him is not the end. When you find someone coming, you still don’t threaten them with the head. In the end, it’s still Action movie bosses like to fight.
That female player is too good-looking, hee hee, too sassy. Especially with dual guns there, (although dual wielding is a bit unreasonable)
One of my favorite shots is the pigeon spy, where multiple pigeons take off and just one pigeon is standing there, implying a robotic pigeon. I prefer shots without verbal cues.
I thought that Allen would fight a lot, ah, after seeing only one car in the final battle, and that Zhu Zhengting flew away after a while, I feel that they don't have too many scenes. It should be a play.
It's just a sentimental film. Brother Long is too old, and fighting is not very good. I don't know what else to shoot in the future. I really like watching Brother Long, and I hope to make something different in the future, even if I don't make action movies.
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