Strange, why should I say it again...
I said it when I said "Jiang Ziya" last time...
The two biggest problems with this show are:
1. The structure is old-fashioned, completely uncreative, nothing new
2. The lines are awkward, a long list of water words.
There are also categories:
The first type: The screenwriter is trying desperately to imagine how the characters should speak, and make up a bunch of lines that he thinks are close to the characters, but the real people don't speak like that.
The second type: use characters' movements and expressions to speak lines without understanding, resulting in a large number of meaningless water words.
For example, Qin's wife "must save our daughter, there must be other ways", Qin said, "Okay, you go to rest first."
In fact, you don't have to talk here, just move to comfort the wife, and let her rest with a relieved look.
Turning around, Qin said to Jackie Chan "I want to talk to you", Jackie Chan said "OK". Jackie Chan here can not speak at all, just nod.
Found no, I can easily remove more than half of the meaningless water words with a short paragraph.
This kind of uninformative lines that can be seen everywhere will make the characters particularly embarrassing, and the characters' images can't stand up, making Jackie Chan's eldest brother pit!
There is no conflict in these words, no character personality, and no amount of information. It is purely that the screenwriter uses these words for transition when writing the plot.
When the screenwriter wrote the lines, he didn't think about the character performance, the plot screen, or the conflict.
He doesn't know the information that can be expressed through actions, and he doesn't need lines to say it at all!
And the lines must have conflict, information, and character!
The result is absolutely nothing!
The third type is self-righteous, introducing the situation into the characters' lines, and dreaming of advancing the plot, but the actual bullshit is unreasonable.
This happens in many places. For example, at the beginning, poacher A ridiculed B, saying that your video has hundreds of thousands of views per hour, and you are famous. B said I want to kill this woman.
This is typical self-righteousness, introducing information in the dialogue, thinking that it will advance the plot, but the actual crap is not written.
Because this kind of dialogue does not reflect the character of the poachers at all. Are they cruel or silly?
do not know!
He is purely a tool person, after introducing the situation, linking the plot, then shoot, fight, and it's over!
By the way, this dialogue has also committed the first problem, that is, the screenwriter relies on his own imagination to compile how the poacher and the gang should talk.
3. Acting problems.
It's also a disaster, but I think the script is a bigger problem, so I won't mention it more.
I hope that Jackie Chan will cooperate with the top script masters more, and don't cooperate with too many parallel imports because of brotherhood and loyalty.
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