I especially like the French image in Rohmer's films: 1. Attend a friend's friend's party, maybe you don't know a few people at all, but you may gain a new friend by chatting about philosophy, film, literature, and painting; 2. Every now and then Leaving work and going on vacation, lying in the woods by the lake blowing the wind, picking a wild strawberry to eat, and having sex with an ambiguous person; 3. Although the emotional entanglement is complicated, there will be no ugly scenes of intrigue between the original partner and the whole team. , A woman is very considerate and cherishes each other, and many times a look or a conversation will eliminate the grievances.
Such romantic casualness can't help but make people fall in love.
Watching Rohmer's films, I often have the urge to rush out of the house and jump into nature, and the green trees and rivers that I usually see are especially fresh and lovely. So I say that Rohmer is the most suitable for watching on weekends, maybe after reading it, I will be motivated to get out of bed and go out, have a picnic, and breathe fresh air. (The time I wrote this short review was Thursday, when I was sitting at my desk, my neck was sore and my butt was sore, and I wanted to go out for a walk.)
Another: The use of colors in this film is bold and harmonious, especially in the outfits of several protagonists. The fabrics, tailoring and colors complement each other. The whole film looks like you are enjoying a LEMAIRE fashion show, ironing and comfortable.
Some people in the barrage said that they didn't understand what this color is good for, and it felt no different from those made by many Chinese people. I have little knowledge, so far I haven't seen a film with a tone similar to that of Rohmer on the Chinese screen. The color aesthetics of China and France are not the same system.
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