First: The first "companion" killed by MIGI is fun to adapt as a chef. If you shoot according to the original settings, that is, the other party is a gangster, then there is no room for design in the creation of the mystery of the movie. In addition, chefs, as people who make food for people to eat, are eating people, which is inherently flawed.
Second: The impact of the picture is very strong, especially the knife's slashing and speed.
Third: I like the tone very much, this kind of dark tone is very suitable for the depressive feeling of parasitic beasts.
Fourth: The music is great.
After talking about the excitement, it's time to complain, but there are some who are satisfied or dissatisfied with the points. It is purely an essay record. Perfectionists should not complain about logic:
First: The director will appear. All of them are directly assigned to the organization of Guangchuan Group. In fact, although there is a certain degree of rationality, it is easy to go the way of the Japanese old-fashioned plot of "cops vs monsters or superpower organizations" (similar to "Death Note" and "Kamen Rider"), it is not impossible to be old-fashioned , but if you indulge in the old-fashioned, in the end the protagonist will become a policeman. Although the original work also mentioned the emergence of the organization, it did not hand over a lot of scenes to the police, but focused on the protagonist. The parasitic beast will not become the main theme of the criminal investigation film, but a masterpiece.
Second: The plots of Shimada and Miki have been merged, which is a good way to make Shimada's character richer than the original. (The original work party wanted to ridicule me, and there was nothing I could do. In the original work, Shimada was indeed a brushstroke, and I didn’t touch much.)
Third: Regarding MIGI’s proposal to use classmates as a human wall, the movie was not filmed, probably because the movie took Mr. A and his mother’s life together. The plot was merged (to avoid repetitive and monotonous campus battles, and to avoid too much depiction of student refugees, understandably) and had to be omitted. But personally I feel very sorry, because it is this sentence that can make MIGI's character more thorough, and the funny dubbing of the movie doesn't make me feel that MIGI is a parasitic creature that only treasures his own life (initially).
Fourth: The heroine of the original work never knew about MIGI. Of course, she might know it but deliberately didn't say it. In the design of the movie, the heroine knew it, and because of Shimada's attack, she passed out by coincidence. It's well designed to portray the anger of the protagonist in a short period of time with Kanai removed. But I am afraid that the sequel has to figure out how to make the heroine accept this fact, and I am afraid that a few words are superficial.
Fifth: Hong Kong is rated as Level 3. In fact, I don't think it's bloody, even my intestines are covered up, after seeing what snow, The Walking Dead, and Hannibal. And if you focus on portraying this, I am afraid that Hong Kong will not have to watch it.
Sixth: The original work was made more than 20 years ago, and fingerprints are not the point. The movie sets the background as modern, and the new killing of parasitic beasts has fingerprints, which are also mentioned in the movie. The movie does not explain why Shinichi was not restricted from being stared at by the police because of this. I'm afraid the tour guide just wants to take it with one stroke, it's not the point anyway. But I think it's better to use the background of the 90s to speak more scientifically. .
Seventh: The last point, and my only dissatisfaction, is the ending of killing A. The original work is that Shinichi met Mr. Chin, and then the two worked together to deal with his mother. Shin couldn't handle it. Mr. Chin, who was seriously injured, took the opportunity to make up for the knife and said something that moved me. I even felt that if Mr. Chin's appearance and With this sentence, this part of the movie will be even more impressive: "This guy is no longer your mother, but even so, I know you still can't do it." In addition, this A feels like his appearance at the end is more like To catch up with the plot, his character is set to kill Shinichi, ignore all rules and orders, and go his own way, but why is he willing to accept Tamiya's protection and hide from Shinichi after killing his mother and seriously injuring Shinichi? Then he dropped the line in the second half. Suddenly, because of a note from Tamiya, he suddenly appeared and played against the protagonist. It seemed that he had been hiding for so long and finally appeared to die. Then the most incompatible thing is to arrange for the protagonist to kill his mother himself. In fact, the original work arranged for Mr. Chin to do it. The protagonist is a high school student. After all, the other party is his mother's body, a close relative. If the protagonist kills himself like this, it will take a lot of plots to explain how he gets rid of the knot. Are you going to let the plot go down? Mother's hand blocking the knife, this is a bit far-fetched, although there is a low possibility of cellular reasons, but such a deliberate design, on the contrary, expresses maternal love too blatantly.
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