I don't know how many twists and turns it took to complete this film, but I thought of "China" made by Italian director Antonioni in 1972. Well, this movie must be fixed. Compared with "The Tide" and "The Triumph of the Will", it is also an interesting intertext. The school activities shown in the film were common when I was in elementary school (early 1990s). As Roland Barthes said, in China, everything is a metaphor. And what you can see when the mysterious country of North Korea lifts the veil, all daily activities are political activities. The faces of the characters in the film are bored and numb. Although I laughed a lot while watching the film, my heart was extremely desolate. Especially when the little girl recites the oath at the end. fear. It is recommended that every compatriot in the mainland have a look. A social proposition suddenly came to mind: the middle class is the solid cornerstone of a country—that is, a certain ideology—whether the problems exposed by this class represent the drawbacks of this ideology. I don't know if this can be considered. Anyway, Western intellectuals especially like to make fun of the middle class.
The surest way to fight evil is extreme individualism, original thinking, whimsy, and even—if you will—eccentricity. That is, something that is difficult to fake, disguise, imitate; something that even a seasoned charlatan would be unhappy with. In other words, something that can't be shared like your own skin: not even shared by a few. Evil likes stability. It is always with the help of large numbers, with certainty granite, with ideological purity, with well-trained armies and stable assets. Its propensity to resort to such things should be said to be related to its inherent insecurity. — Brodsky
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