If you have only seen Wang Xiaoshuai's "Qinghong", then you will definitely feel good about him and him. He scoffed at the jury award he won, but if you have seen his
The ideal of Xiaogui from the countryside is to work earnestly and earn money, while Xiaojian, who has lived in the city since he was a child, wants to have a beautiful and stylish bicycle, and can show off his superb riding skills like other buddies. Attracted the attention and favor of the girl Xiaoxiao. And the little nanny who also came from the countryside is always full of fantasies about all kinds of beautiful clothes of the hostess, not only secretly trying them on herself, but also stealing them out to sell. The three peers, but they are Three youthful attitudes. But it must be said that they are all cruel. Xiaogui's cruelty is the cruelty of survival. He regards the bicycle as the whole of his life. Even if the car fell apart and could not be ridden, he was beaten to death. The blood was dripping and he could barely stand, and he still staggered on his shoulders, walking on the cross streets with no one else in the face of thousands of turbulent traffic. For him, to take back the car that belonged to him His bike is so tough. I couldn't help but be moved by his obsession at the end of the film, and without experiencing the film firsthand, I can't imagine a child who would go to the trouble of finding and getting a bike back. So perseverance. Xiaojian's cruelty lies in his prestige and his value in front of girls is whether he owns a dazzling bicycle. Youth should not be beautiful because of these, and a good boy should not be just because of Having a car is full of pride. Apart from material things and vanity, can't youth be a spiritual aristocrat? And this cruel youth is probably not just the fault of Xiao Jian alone, right? , The changed value pursuit of the younger generation is also alienating him. For him, the car is neither a tool for eating nor a tool for learning, but just a capital for showing off. The original function of the car has also been alienated and symbolized. The cruelty of the little nanny may lie in the repressed and deformed Mood for Love. Youth should be colorful like these fluttering skirts, but in her, it is just a beautiful soap bubble, visible every day but untouchable every day, There is no more cruel youth than this, and when she finally couldn't help reaching for it, the beautiful soap bubble finally burst. It can be said that the fault of the little nanny can not be concluded with just the word vanity, the same We can see that she is also striving for the beauty that she should have at her age, and the cruelty is only the society where the gap between the rich and the poor is widening.
Youth is poetry, but it has become so cruel and bloody. After saying so much, I still can't explain everything in the movie, leaving more thinking. I admire Wang Xiaoshuai's attitude as a real civilian To pay attention to the attitude of life in society, around a car, two children and a group of peers, brings us so many unhappy things.
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