If the adult bike is no longer.
Seventeen is a magical age because we are eighteen. We have broken through the ground from birth, sprouted, and budded. The dream is half awake in a series of bizarre scenes. Expectation or indifference, you always think that the zero o'clock will ring on time, and the stamens will reveal unknown riddles. Then, you can have a new existence, escape from poverty, escape from envy, escape from confusion, and escape from the limitations of life. Most teenagers have fantasies about adulthood and the future, imagining their strength as an inflated balloon, thinking that they are unprecedentedly huge; at the same time, a small hole will become the reason for the huge collapse, and the mood is depressed and depressed. He is often manipulated by the unknown, and every hint is important. After being stunned by a sudden whirlwind, he loses his sense of direction and just wants to move forward, whether or not it is a direction.
Each of us has experienced the toss and bounds of elastic nerves like this.
Seventeen is the age at which a bicycle can be used as a combat vehicle.
"Seventeen-Year-Old Bicycle" tells a story about coming of age in the vertical direction of the timeline. Childishness and the pressure of life collide and rub, and each person chooses a path of separation in different states. In order to be looked up to by himself, Agui is full of infatuation with high-end mountain bikes, gaining, losing, pursuing, and clinging to it. He wants to betray his identity as a rural person and use his bicycle to reflect his self-worth. This is a realistic reflection of his connection with the city people. He can be praised, and being praised is always the sugar coating of contentment.
Xiaojian cannot stand in the value creed of city students, he needs a wealthy family. The city is a complex but fast human fortress. People's value standards are clearly marked, and what exists can be obtained, and people care about it because of its too obvious existence. Seventeen can be aggressive and adventurous, but cannot afford to be left out. So even capture must be obtained.
It's all about fragile self-esteem.
In today's globalized world, the gap in living environment cannot be bridged. The film displays a row of 17-year-old sections for comparison. Seventeen-year-old Xiaojian needs to use a fancy appearance to express his appearance; his desire is strong, and he knows that he is weak. Seventeen-year-old Agui needs work to prove himself; he is stubborn and determined and needs to be proved urgently. People are kind but attack each other, evil but share weal and woe; longing but never ending, lonely but desperately touching.
Even firm reasons can't stand scrutiny, can you be ignorant and fearless at the age of seventeen?
Put the fictional reality story on the dusty streets of Beijing, the local accents on the characters' mouths, and the characters' personalities are not decorated. The film is realistic and therefore believable. At the end, the protagonist does not belong. After the characters and bicycles are broken, they will be repaired again. The film ends and life continues.
Without famous actors, as a portrayal of the fate of the little people, it may be more necessary to perform real performances. Of course, this is not a film that requires box office, so the investment will be less. If you don't require everyone to approach, you have the right to use non-public methods to show it, which should be closer to the will of director Wang Xiaoshuai, who is the director of the set. Nothing wrong with that.
The long shots swayed in the middle of the character scenes, and the quiet chess players and hurrying walkers who appeared inadvertently in the shots naturally paved the way for the film. Nah, it’s none of your business. But whether you like it or not, the 35mm film framed these hints: "Relax, this is a story that happens every day, if you want, it can be called life." Yes, everyone seems at seventeen, if it happens For self-reflection, this is the trap of film.
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