Like a Hong Kong movie in the 80s

Geo 2022-04-23 06:01:02

It's really very similar. Wu Yusen hasn't gone to the Hong Kong film feel of the Hollywood era. I tried desperately to find Chinese names in the cast list, but I still couldn't find them. . But it's really very similar. Even the protagonist took the gun and walked in slow motion with the same number of roads, just like playing a Cantonese song. There is also the bridge section where the police academy graduates, it is almost always in the past hk royal police movies! ! ! Even the funeral is complete. . .
The story is the same, but it satisfies the requirement of watching Hong Kong movies all the time. Armada is more fierce than the "woman next to my eldest brother" in the Hong Kong movie! The rhythm is good, the long film doesn't make people feel boring, and Jacques' acting skills are very good, much better than the muscle man Mark. The nostalgic style of disco in the 80s is very good. At the beginning of the song-it was the one that was familiar when Armada exposed the right hemisphere. It seemed to be missed in the Zhengda variety show in a certain year!
A peculiar nostalgic shootout. . . The image of the Russians is so negative...No, at that time they were still called Soviets. In recent years, the images of bad actors in Hollywood have begun to differentiate. Latin Americans, Russians, and Chinese have all emerged.

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Extended Reading
  • Piper 2022-04-24 07:01:15

    Hey, I was expecting a villain bastard story, but it turned out to be a prodigal son...

  • Enos 2022-04-24 07:01:15

    This is the kind of film that is not very entertaining. I really can't find a theme to express it, but I just find it quite comfortable. The damp and dark city, the rainy weather, the simple and old-fashioned Black and white confrontation, as well as undercurrents of emotion and struggle, these elements together bring an immersive viewing experience. A prodigal son from a police family, a gangster who enjoys walking in the gray area but can't let go of his family. In the end, he can either settle for his gray life and watch his brother's dying, or obey the fate of the police family, take responsibility, and overthrow himself. The rules and states that have been recognized in the past, there is no middle choice between the two. The tragedy is that, even if he finally got his revenge and successfully put on the police uniform, he never really agreed to integrate into the new order. When his lover leaves, the past is gone forever, and he has to take a path that does not belong to him in his opinion, but even if he makes another choice at that time, the price he needs to pay is unbearable. This kind of confusion and confusion about the identity dilemma is quite similar to the "doomsday complex" of Hong Kong films in the 1990s.

We Own the Night quotes

  • [last lines]

    Joseph Grusinsky: [whispers] I love you very much.

    Bobby Green: [a beat] I love you too.

  • Joseph Grusinsky: Why don't you go back to your little Puerto Rican girlfriend?

    Bobby Green: I will go back to my fucking Puerto Rican girlfriend!

    Joseph Grusinsky: Yeah?

    Bobby Green: Yeah, you keep thinking about my girlfriend while you're fucking your fat fucking wife!

    Joseph Grusinsky: You motherfucker!

    [darts for Bobby]

    Bobby Green: Get the fuck off of me! You motherfucker!

    Joseph Grusinsky: Get off of me! You motherfucker.

    [is taken off of Bobby]

    Joseph Grusinsky: I'm done with you!

    Bobby Green: Fuck you!