A bicycle carries the youth of two people; a red dress is imbued with the hope of youth; a dream is full of fate and displacement; a little hope of survival is a metaphor for the vicissitudes of the times and the helpless fragility. The movie "Seventeen-Year-Old Bicycle" uses a bicycle as a medium and wears it with Xiaojian and Xiaogui's confusion and collision, telling a series of stories between the two people in the process of losing the car, looking for it, and protecting the car. . The film expresses the hardships and difficulties of living in a big city, the cruelty and throbbing of growth, and the withering and brokenness of fragile self-esteem from many aspects. One after another, the melodious songs that represent hope, Transformed into an elegy of the character's inner destiny. In the movie "Seventeen-Year-Old Bicycle", the director's clever combination of music and pictures reflects the inner emotions of the characters. In the movie, whenever Xiao Gui rides a bicycle to deliver letters and works hard for his dream, a light and happy music will always sound, which symbolizes the joy in Xiao Gui's heart. This music is a symbol of hope, grasping the hope of survival in the big city. It expresses Xiaogui's accumulated and optimistic attitude, thereby driving the audience's feelings and generating emotional resonance. This kind of musical control makes the film more visual and arouses the emotions of the audience, which is very artistic. One after another represents the tactful tunes of youth and love, and interprets Xiaojian's sprouting and desire for love during his youth. In the first appearance of Xiaoxiao in the movie, a romantic, happy and wonderful piano music sounded, and the perfect match with the movie screen created a unique picture of youth, showing Xiaojian's inner feelings for Xiaoxiao. The love of Shibuya has paved the way for the development of the film. This same kind of music appears many times in the film, which has a progressive effect on emotions. The use of this kind of music can make the audience walk into the heart of the characters and feel the same with Xiaojian. On the contrary, the ending of the film is a tragedy. The cruelty of growth and the price paid for youth in the film are all a kind of sinking of fate, an elegy for fate. Scenes of intertwined Shaohua colors outline the edges and corners of time and the misery of youth. The contrast between the cold and warm colors in the film is the externalization of the characters' inner emotions. In the movie, Xiaobao married Hongqin from the countryside. The main color is warm red. The red dress, red high-heeled shoes, and red lipstick are all the externalization of Hongqin's inner emotions. Red represents a desire and represents a kind of vanity. The warm tones here are not a warm picture, but a dazzling and incompatible embodiment of this society. On the contrary, the director set Xiaogui a dark and cool tone, which can be reflected from Xiaogui's bicycle and clothing. The contrast montage technique is used to reflect the sharp contrast between Hongqin and Xiaogui. It has caused a strong visual impact, showing a sense of picture that does not match the environment. Youth is fleeting, and the colorful youth has also dimmed. The life experience of Xiaogui and Xiaojian is a painful memory. One by one, the dreams of flying can't resist the tricks of fate, and no matter how good the memories are, they can't stand the passing of Shaohua. Destiny is up and down, time has passed, and society has changed. Xiaojian and Xiaogui have no choice but to walk step by step in this big city. Youth is fleeting, and the colorful youth has also dimmed. The life experience of Xiaogui and Xiaojian is a painful memory. One by one, the dreams of flying can't resist the tricks of fate, and no matter how good the memories are, they can't stand the passing of Shaohua. Destiny is up and down, time has passed, and society has changed. Xiaojian and Xiaogui have no choice but to walk step by step in this big city. Youth is fleeting, and the colorful youth has also dimmed. The life experience of Xiaogui and Xiaojian is a painful memory. One by one, the dreams of flying can't resist the tricks of fate, and no matter how good the memories are, they can't stand the passing of Shaohua. Destiny is up and down, time has passed, and society has changed. Xiaojian and Xiaogui have no choice but to walk step by step in this big city.
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