To be honest, I watched this film very hard, interrupted several times, and finally finished it. Like the rotten smell of an old house that has not lived in for a long time, like the sound of rust, like a dull knife cutting the hearts of the spectators bit by bit.
Academic-style film reviews make me work harder. It is literature and art that does not focus on Meimei's low-hanging face with uncertain expressions of light and shadow, or focuses on Meimei's "lonely" back, it is literature and art, and it is not literature and art that struggles with light, sound, and color.
I just remember Peony with two little ponytails, wearing a little red coat, and laughing out loud holding the Little Mermaid behind the motorbike. The camera shot from the motorcycle that followed closely behind. It was a little wobbly, and I couldn't see the face, but the figure was particularly clear under the backlight. The last dazzling brilliance of the sunset brushed past Peony's small body and rushed straight towards it. The camera, at that moment, my heart stings.
You know that a short period of joy is followed by a long period of pain.
But do you know that love at the age of seventeen or eighteen will leave a permanent mark on a person.
Then do you know that I've been waiting for you all my life.
Including when I was with you, I tried my best to collect things about you, I was always ready when you were leaving. I am careful, whether I kiss you or scold you.
I just want to store enough love. Enough gentle and sly. Just in case I wake up and see you.
I just want to store enough pride. Enough loneliness and indifference. Just in case you wake up and you're gone.
In the intervening years, I want to see you, I want to know if you are still the same as I loved before; but I am very afraid to see you, I am afraid that you are no longer the omnipotent knight in my impression, I am even more afraid You are still that omnipotent knight, but you are no longer my knight.
No matter what the result is, it is not what I want to see, so I would rather not see you.
If you want to love, go with you, if you want to ask me, go with you, if you want to live well, go with you, I have always been the one who is at a loss, because for many years, I have thought of many ways and many places to store you, All failed, you became a little monument, placed anywhere in my heart, occasionally reminding me that there were so many memories of you, and reminding me that you are a dead life.
This is the so-called, "Love is a tragedy, it must be read in death."
You are the motor I can't wait for death, I don't want you to come to me, as long as you remember me.
Finally, I'm sorry for changing the ending of the film without authorization. Of course, there is also one point, I'm sorry for Jia Hongsheng's children's shoes who just left.
View more about Suzhou River reviews
