Recently, on a whim, I took out the "Suzhou River" at the bottom of the press box and cut it into a mixed cut. I planned to tear down this story like tearing down a house, and then try to rebuild it with my own understanding.
Is this my "Suzhou River", or will you finally find out that it is my Xuanwu Lake?
The first time I watched it was in 14 years, and I watched it together with "The Summer Palace". After that, I watched it no less than ten times, and then I received its disc. Because I like both Lou Ye and Zhou Gongzi, I like this movie more and more. In July this year, in Xining First, the two young masters reunited. They met and hugged like no one else, which was a long-lost touch. Fortunately, they haven't changed at all.
When I haven't seen Lou Ye's new film, I think he hasn't changed; even after watching Brother Xun's "When is the Bright Moon", I still think she hasn't changed.
The only regret is that Jia Hongsheng will never come back.
He is the motor, the motor is gone, he himself got lost and will never come back.
I am Peony and Meimei, and I am going to find him now. I don't lie.
One day, I left "Suzhou River" and only listened to Dou Peng's movie episode, which is also the ending song "In Front of the Trance", and for a long time I fell into that kind of lost emotion and couldn't get out, "But your face keeps appearing in front of my eyes. /Always want to catch your sight / But you always blow past me like the wind", "There are no stars and no lights", "I see my eyes blurry / Still in a trance". I really don't know what kind of sadness it is. Is it the regret that you have not cherished, or the pitiful sorrow that you have never had?
I can't see your face, I don't see your face in front of me, we keep meeting each other, we pass shoulder to shoulder, and you won't stop to let me take a good look at your sight. We just passed by, just like in Cai Mingliang's "What Time Are You Over There", you just bought a watch from me, and immediately you went to Paris while I was still in Taipei. Once people are not in the same place, they are separated forever.
I really believe in fate and destiny. I believe in the fate and destiny of others. This kind of answer can only be found in love stories.
"If I go, will you look for me like a motor?"
"Will you keep looking?"
"Will you always find death?"
"you are lying."
Only love stories like "Sweet Honey" can exist, only Ma and Peony have, but not the photographer and Meimei.
"Hey, call 26089 twice and leave a message: Come to Yellow River Road quickly", "Night Shanghai" sounded, and she came.
"Hey, I saw that girl. She's wearing a red tracksuit with pigtails." She came.
Ma Ma takes Peony for a ride, and he says he's never felt like a girl who smiles as happily as she does.
Meimei does not sell happy stories in the happy hall, only the mermaid in the huge fish tank.
Then, the two sat together, and then, of course, love.
The tone that should be taken for granted, the development that should be taken for granted, of course, is love.
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