I have always loved Lou Ye's movies. Watching his movies is like looking at that day through the passage of time. It is standing at the intersection of reincarnation and watching the distance of past lives. All the familiar silhouettes, the familiar expressions, the familiar streets, and all the familiar things jumped out of the camera. The woman named Peony has the imprint of her past on her body. The years with a smile and a smile in a small city, noisy restaurants, noisy buildings, passing pedestrians and vehicles, whizzing motorcycles, wooden railroad tracks, the time of that day is a mark engraved on my heart, no language needed And the plot is enough to make people suffocate. The sparkling Suzhou River with rubbish floating in it occasionally emits foul-smelling heat waves, but it carries love, time, vicissitudes and heavyness, which makes people so nostalgic.
Time never goes back, and the motor is destined to lose its peony. We are doomed to lose everything in time.
What if time could be reversed?
Peony said with a smile, I have become a mermaid and will come to you.
The motor froze in place.
The motor's motorcycle galloped across the city on the highway, the wind ruffled his hair, and the empty back seat once carried a beautiful woman, hugging his waist, loudly in the foggy grainy city call, to declare her happiness.
I don't know what tone to use to narrate the whole story, and what kind of brushwork to use to describe the gray sky. The girl named Peony, the woman whose eyes were as clear as the sky, jumped away decisively, leaving behind a mottled and dry world.
Take off the coat called happiness. There is only a mess left.
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