I like the cities in Lou Ye's movies. The Chinese cities of the last century, Shanghai and Nanjing, are chaotic and dilapidated, full of the atmosphere of the market, and even a bit tacky. But all of this is close to life, making people feel that such a story really exists. No matter what the ending of such a movie is, from the very beginning, there is a touch of helplessness and sadness, for love and life. The ending is equally sad.
At that time, Zhou Xun, poor makeup, awkward clothes, pale and thin, but these could not stop her beauty from spreading out, covering everyone in the movie, and also flocking to me in front of the screen. It is fixed there and cannot be surpassed. That style of Jia Hong's voice, melancholy, and stubborn eyes, so much so that he was a little silly and persistently searched for what he was looking for.
Jia Hongsheng said to Zhou Xun, would you like to be my girlfriend, Zhou said, okay. The two people outside the movie feel very similar to the characters in the movie, but Ma Ma didn't ask this question, he just kept looking for it.
And then, of course, love.
As always, the girl is brave and unreserved in love, and the man is also emotional, but he loves her without saying anything, but he still hurts her in the end, and then he keeps looking for the girl he lost. Ma has been looking for Peony, but "I" has not looked for Meimei. Such love exists only in stories.
If one day I'm gone, will you look for me like a motor
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