What is destiny?
The stars in the sky or the lines on the palm of your hand? A match within a second or the end of the sea but the same destination?
The passions of the heart are not necessarily written on the face of indifference and calmness, and the coldness of thought is not necessarily without some wildly fluctuating thoughts.
I thought it was meaningless anyway, but I also thought, "Why don't you try this way?"
Why not?
It's still the same, shabby silent film-like scenes, shaky shots, impulsive and straightforward heroines. Its abrupt end is not quite the same as that of "Summer Palace", which is completely natural and protracted.
But it is still sad and hopeless.
It says that love is only in the story, and in reality everyone is the same as everyone else. In reality, Ma Ma is a lunatic, Peony is dead, Ma Ma is looking for Mei Mei to have sex with her, and the male protagonist who has never shown up can wait for the next love.
The story choked at a point of despair. Just like the Suzhou River is not as clear as a love story. It is cloudy and not so pure.
Motor is not a lunatic, it is like a little fantasy of people who are not dead. After all, true love is too extravagant, and all living beings are too realistic and comfortable with reality.
- Will you come to see me?
--Can.
--you are lying. ……real?
As for my own story, what will be the distance between Tokyo and New York in a few years?
Just wait and see.
2009/11/23
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