I want to say that Zhou Xun's acting skills are very good. From the beginning of "Da Ming Palace Ci" to "The Oranges Are Red", and then "Like Fog, Like Rain and Like Wind", Zhou Xun left a deep impression on me.
That pointed chin, that thin body, those eyes that flowed between clear and blurred, and that slightly hoarse voice.
Only a woman like Zhou Xun can perform the stunning and flirtatious Xiao Wei in "Painted Skin", the desolate and helpless stubbornness of Lao Sun in "If Love", and Li Mi in "Li Mi's Conjecture" the kind of persistence.
In "Suzhou River", she plays a blond mermaid in that big fish tank, that kind of agility reminds me of the lyrics in Mermaid Song:
In the garden of the sea
I see you looking over
With my wistful melody
You leap into the water
It is no breaths sighing
This is the mermaid song
Wearing a green patent leather skirt, a red patent leather jacket, heavy eyeshadow, dazzling red lips, hands in, walking on the road desolately, such a dusty woman , not only does not make people bored, but makes people have an urge to explore: what kind of story is behind this woman? What kind of forbearance does this woman have? What kind of joys and sorrows?
Only Zhou Xun can switch freely between the two roles of "a female student who wears a sports school uniform, has two braids, hums a little song, and walks briskly" and "a girl with heavy make-up who goes in and out of various gaudy places".
Every woman has a strict scientific spirit in the matter of love.
So, Meimei kept asking:
"If I leave, will you look for me like a motor?"
"Yes."
"Will you keep looking?"
"Will you find death?"
"Yes."
"You lie."
A lot of words, knowing that Lies, women can't help but want to hear. Then take some relief from these words.
Could it be that only "searching all the time" can prove that this is a love? At the end of the story, Meimei disappeared, leaving behind a note "Come and find me!" Could it be that only the one who cried bitterly, digs out the heart and digs the bones, and goes back and forth a thousand times can be considered love? If you don't look for it, then deny it altogether? Does love have to be unforgettable and vigorous? ? The water is smooth and the waves are calm, isn't it?
Ma, keep looking, keep looking for peony.
But is this really love? Is this just an unfinished complex like Takeshi Kaneshiro looks for Zhou Xun in "If Love"? A kind of asking for trouble, a kind of self-inflicted suffering, a kind of self-righteous masochistic behavior? Of course, it is very touching, but what about after the touching? Everyone understands that this is really just a love story, nothing more. It is imaginary and unreal. The true context of the story should be: after Ma was released from prison, he still has a little concern for the former peony, but he will only live his own life and his own honor and disgrace. Instead of nervously looking for her over and over again. "Green Snake" said: "Strange, I don't hate him anymore. There was a day when he was by my side, by my side, with a graceful touch, his hands swept back and forth, I almost believed that I also loved Passed him. It was just normal at that time."
Therefore, whether it is a motor, a peony, or a beauty, all it takes is time.
All the pain of love, only time is the best medicine.
Afterwards, some people became emotional saints who were able to handle others with ease and kindness, while others became emotionally impoverished people who could neither love nor be loved by others.
I believe that in this story, Mei Mei fell in love with Ma Ma, or, in other words, fell in love with his neuroticism and paranoia. So when she learns that everything is true and that Maa didn't make up a story to deceive her, she is lost. It turned out that the person Peony exists, and it is not an excuse for Ma to approach her. On the bed, Ma Ma is intertwined with her, and she just treats her like a peony. So, she returned to the "I" side of the narrator, and then made the move of "running away".
Because, I hope that I am important to someone, and I hope that I can leave a trace in the hearts of others, so I ran away, then please come to me.
There is also a passage in "Green Snake": "Every woman hopes that there are two men in her life: Xu Xian and Fa Hai. Fa Hai is a golden lacquer god who has tried every means to make her happy, and lives forever. Waiting for her to make some false words, she looks up to it; Xu Xian is a beautiful young man with Yiyi holding hands and thinly thrushing her eyebrows. He will tell you the best words to iron your heart-but because he has it, he can say every word accurately. , not a single action is tough. What if Faheiken surrenders, and he will be strong and neglectful, and he will not understand gentleness."
Fang who can't get it makes people hate it and feel sad.
Peony is to Ma Ma, Ma Ma is to Meimei, and the phrase "Come to me!" confirms these words.
Therefore, in my opinion, the reason why a love story is a "story" is because it exaggerates the hearts of the characters, and because it "works", feelings that are not "made" can also be love. Roaring all day, crying all day, neurotic all day, maybe just sadism and masochism.
So, this is just a love "story".
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