As if in the chaotic time and time and space, showing his own voice, like his spiritual father Lennon. If you don't use your own power to declare your existence, to draw the line between yourself and others, to make the dirty world you consider clear and bright, it seems that the loud voice will become worthless. Muffled.
He was indeed a great voice of that era.
He brings a different kind of style to the movie with an extremely edge, edge but deep temperament. Although his films have gradually become insulated from the audience, his breath is a charm that can be taken out of context but still shocked. Some actors regard acting as a profession, some actors regard acting as a pleasure, and some actors combine performance and life into a ball.
But the more sensitive people are, the more deeply they perceive the sorrows in life. So they resisted strongly, almost believing that they had enough power to bring change to the world. Even tiny. Even if you can't bring changes to this world, you must make your own world a fantasy spiritual home. But maybe they didn't know clearly before paying and sacrificing that just such a small change would require much strength and exhaustion before it could be implemented.
So so many people, in the process of completing the world, hollowed out themselves, like moths fighting a fire, at the cost of spontaneous combustion, fulfilling their desire to light up the world.
When watching "Suzhou River", I saw this young man. After watching it, it is not only unforgettable for this movie about love. He was even more fascinated by the young man inside who didn't blink hard, the corners of his mouth were always pouting, and he seemed a little bit contemptuous of the world from the inside out. Said to be young, he was already in his thirties at the time. However, what I see in the movie is not the calm and solemnity of a 30-year-old, but a kind of idleness in the twenties, and a determination to grow old in the thirties.
And such a person never grows old. Because even if he grows old, he will not admit it. Of course their bodies can never keep up with the speed of their minds, and even moving can become a challenge one day. But their souls live on in a state of mind until, until one day they become what we define as "madmen." It makes us, like normal people, difficult to understand and even fear. Just like Jia Hongsheng now, when he gradually fades out of the world we can see. If it enters our field of vision as it is now, it has become an irretrievable outlier for us, and it has become the glory of yesterday that we regret.
When he was interviewed, he was nowhere to be seen in "Suzhou River". At that time, even if he didn't need to speak, he could still be moved, making people realize the affection and remorse that he didn't need to interpret. But these days, thick leather boots wrapped around ankles, and a dark black T-shirt with a skull on it could confuse you for another fallen youth, though ideology may not mean much. But there is a sentence in "Aspirin" that I just watched, simple, but thought-provoking. "Everything inside is shaped outside, that is to say, when the inside changes, the outside changes."
And Jia Hongsheng, just like this, changed.
And evaluating the happiness of others is always too subjective, because the so-called happiness can only be counted by one's own feelings. So, maybe Jia Hongsheng is really as free as he describes himself, and he loves freedom. And this kind of freedom can really bring him happiness, so, on the contrary, we should sincerely feel gratified for him.
So, I can only say that the Jia Hongsheng in my impression, the motor in my impression, is no longer there. With that presumptuous attempt on the stage, it has disappeared from sight forever, and disappeared forever into a pity.
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