I got up at noon and curled up on the sofa to watch Lou Ye's "Suzhou River".
Suzhou River, a river full of rubbish all year round, is surrounded by winding alleys of factories. In the life of ordinary people, there are all the desires and filth that are surging at the bottom of the society. The wall of feasting at night, the expressionless face, the person numb by life. They make up the story.
The story is very simple, a man named Ma is actually a tool, and someone asked him to kidnap a little girl. So Ma Ma disguised as a coachman and went to pick up the little girl. When the girl's father wanted to play with other girls, he called Ma Ma to take the little girl to his aunt's house on the other side of the city.
The little girl's name is Peony, and she is the age of a flower. With big clear eyes, two braids, timid. She should be dissatisfied with her family life, so that when she gets on a motorcycle with a motor, she says that the speed is too slow, and when she wants to speed up, she should have the pleasure of running away.
The back of the motor is wide enough to lean on. A lonely little girl fell in love with a man in black who was driving a Harley-Davidson motorcycle. She thought that she felt love, and that her year-round loneliness finally had someone to share with her. She cherished those days when she sat in the back seat of a speeding motorcycle and felt loved and loved. She was wildly happy. She gave everything to the motor, and the body trusts love.
She didn't know Maada's purpose, although he also thought he was in love with Peony at one point contradictory. He could only continue, tied Peony according to the plan, and the two sat opposite each other in an abandoned building all night. When I let Peony go the next day, Peony said how much I was worth. He said 450,000.
"It turns out I'm so cheap." At that moment, her dream should have been shattered. On that night, Peony might have vaguely thought that Ma Ma loved her, but she couldn't help it, so that she trusted and aggrieved in front of him in the morning. a toilet. And now that she's sober, she knows that Ma Ma had a plan, and the person she trusted and loved who entrusted herself to her was actually a liar. She broke down and ran wild. "It turns out I'm so cheap." She climbed over the guardrail and said to Ma Ma, if I die, I'll turn into a mermaid and come to you. Jump into the river with your arms outstretched.
Peony disappeared, Ma was in jail, and after he came out, he started looking for Peony. He saw Meimei doing a mermaid show in a bar, the same appearance. He said she was Peony, so he followed, and he told Meimei the story of himself and Peony. Meimei sank - such a loyal and persistent love fairy tale in the world, she fell in love with the love between Peony and Ma, she put peony stickers on her thighs, she said she was a peony.
But Ma Ma said she wasn't, so he went looking for the real peony and found it. Those hallucinogenic vodkas with bison grass led him to real peonies. I wonder why Peony is still willing to go with him and let him take her home. What healed the wound about love in Peony's heart and made her accept Maada again, was she moved by that sentence I've been looking for you? That's all?
With the peony and the illusion that vodka gave them, Ma Ma drove into the Suzhou River. The two became corpses. Meimei saw the real peony and believed what Ma said once. She burst into tears, for Ma'a's death or for her own love.
Some people say that the ending is too dark, but I think it's a good death. I don't think two people who have experienced such feelings can face each other well in the world. Don't the wounds heal and they won't hurt. Obviously it still hurts, and instead of struggling later, it's better to stop at the best moment. Mada found Peony because he loved her, and I don't think so. A man will remember a woman all his life, except for the unforgettable love that the woman brought him, and secondly, he owes that woman. Ma Ma owes Peony, Ma Ma should be afraid that Peony will turn into a mermaid and come back to find him, so he wants to find a living Peony, then he can continue to face life calmly and continue to live well.
As for Peony, she must have hated Ma Ma, but she loves Ma Ma hopelessly. After all, the first man in her life is a man with a sturdy figure and a firm, shrewd and capable face. It gave her a hallucinatory fiery feeling. There is a saying that applies to Peony. She has loved passionately. Since then, she has found that it is difficult for her to love again, because at that time, she had used up all her life's love, and her love was disabled for life. Peony should have only loved one man, Ma Ma, that's why she forgave him the first time she saw him, leaning on his shoulder to blow the wind from the river bank. At that time, Ma Ma seemed to be old again, his face was red from the wind, Peony smiled happily and beautifully, and his face was peaceful.
Meimei asked his photographer boyfriend: If I leave, will you also look for me like Ma?
Will
you keep looking for me?
Will
it find death?
will
you lie.
Meimei left, she left a message "come to me", the photographer boyfriend narrated that he was waiting for the next love to come.
Yes, he said panic.
Are there any motors in the world? Maybe the motor also panicked.
The love we think is strong is just a deception and deception that we are willing to fight and suffer. Don't you feel sad?
At the end of the film, I began to recall the first love, the other's face was blurred, I remember saying that we would be together forever. In retrospect, it was a ridiculous oath.
Lou Ye's films are very good, very life-like and really depressing. Looking forward to seeing the "Summer Palace" in which the breasts of lustful women are flying.
Zhou Xun's performance is very good, Peony Teenager and Adult, Meimei, the angles of the three performances are all in place. Meimei is not a peony, so she succeeded.
As for Jia Hongsheng, I think he is handsome for two-thirds of the time in the film, and I reject this conclusion for the remaining one-third of the time.
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