From an identity perspective - not reincarnation, but inner struggle

Trystan 2022-04-19 09:02:59

I watched suspense movies late, mainly in the past one or two years. There were three or four movies that left a deep impression on me, so that the night after watching it, I couldn't sleep and couldn't calm down for a long time. This movie is one of them. When I watch such films, I mainly rely on the right brain to understand by feeling and heart. Sometimes, I admit that I don’t pay enough attention to some small details, but I am willing to understand from the perspective of the whole and the sameness. I think the shortcut to knowing things is decomposition, but it is the decomposition that prevents us from really knowing. There are bound to be omissions in the analysis and understanding of the body, face, and line. There are only two points that will not be missed, either the overall understanding or the single-point understanding. The whole is the single point, and the single point is the whole. Because everything is relative. For example, the universe can be said to be infinitely large or infinitely small. It is nothing more than expanding from infinitely small to infinitely large, and then compressing from infinitely large to infinitely small. Well, let’s get down to business now and tell me what I understand about this film.
Regarding the restoration of the story, it is similar to the opinions of the great gods. It must be a story of love and hatred for blond beauty, and constant pursuit and killing. The whole film shows the inner world and conflicts between them. At the beginning of the film, it talks about saving her (the victimized beauty) and saving herself, which is a good illustration. This is how I understand it. The murderer loves beautiful women and kills them. He desires, gets, hates, and hates them. Therefore, killing and killing them will bring pain and pursue them again, so he wants to split into several selves, not personality splits. but a very contradictory heart.
And, personally, don't understand it by the time of the movie. Time is also infinitely long, but it can also be infinitely short, and you have to understand it at a single point in time (that is, eternity). That is to say, the whole story is a reflection of an extremely contradictory heart. The sequence of the movie just tells you to love first, then hate, then hate, so kill, and then be extremely painful, want to stop yourself, that's all. The end of the story is the beginning of the story, and at the end you should understand why and what happened to the bloody head. The inner time is different from the real time. It can happen a lot in a very short time or even in an instant. Movies such as "Life and Death" and "Misty Mist" are proofs. There is also a "Terror Cruise" similar to this film, which is also a similar film. It's just that this film focuses on several inner selves of the struggle and the reasons for their appearance; while "Terrorist Cruise" focuses on the struggle between the two (the struggle between taking care of the child and freeing yourself, taking care of the child produces extremely depressed feelings, and produces depression. , so I went to play, but I couldn't relax when I went to play, but I would feel guilty, so I had to take care of the children again, and the struggle was endless and inextricable). The same is true of "Mulholland Drive", from love to hate, to depression, not to kill, but more painful after killing, so dreaming, constructing an ideal world. This kind of film is personally loved. In fact, the inner self is the real self, and the inner world is far richer than the outer world. It can be said that novels and movies are just an avatar of the author and director’s heart (to ridicule those who are completely independent of personality). people who split to understand the film).
The above is purely personal opinion, if you have different opinions, please criticize and give pointers.

View more about Dark Country reviews

Extended Reading

Dark Country quotes

  • Gina: [as they drive on with their bloodied passenger in the back] It's your fault, you know. You're the one who's driving, you should know where we're going.

    Dick: Hey, whoa, somebody messed with the road signs or something.

    Gina: [sarcastic] Right.

    Dick: Something. I'm telling ya, I didn't make a wrong turn.

    Gina: [raising her eyes] Jesus.

    Dick: So what if I did? This guy would be dead if we hadn't come along! Is this how you handle stress? Just go on the attack?

    Gina: We're lost in the desert in the middle of the fucking night. This guy is gonna die if we don't get him help.

    Dick: Thank you for the support.

    [adding disapprovingly:]

    Dick: All the same.

    Gina: "All"? What's that supposed to mean, "all"? Who all?

    [behind her, the bloodied man comes to, and sits upright]

    Gina: Not the first impulse you've made on this little drive? Huh?

    [and then she looks into his bloodied face]

  • Bloodyface: [as the car speeds along] Okay, Dick. I've got a little question for ya. You ready?

    [Dick frowns]

    Bloodyface: You ever been to Cheetahs?

    Dick: Cheetahs? What's that?

    Bloodyface: A little strip club... downtown Vegas.

    [clearly hitting on a nerve with Gina]

    Dick: Can't say that I have.

    Bloodyface: That's too bad, you know. It's a nice place. There are good girls there.

    Gina: [whirling around] Who are you talking about?

    Bloodyface: They're just doing what they have to do to survive. Right?

    Dick: Hey, pal, what are you saying? You trying to freak us out?

    Bloodyface: I'm sorry, man. I didn't mean to upset you. It's just... it's been a little bit of a rough night, you know?

    [silent as he smokes]

    Bloodyface: For all of us.

    Dick: All right, buddy, all right. Hey, you'd better tell us what happened back there, huh?

    Bloodyface: [long silence] Have you ever been murdered before?

Related Articles