When I read the introduction, the subject matter was very attractive, but unfortunately I couldn’t watch it in the cinema due to time constraints. Perhaps the recent reports of Afghanistan are overwhelming, and watching movies related to concentration camps made my sympathy and empathy flood even more.
The subject matter of the film is very novel. It is incredible to completely create a language and then teach others. It is not difficult to create, but it is difficult to remember, that is, to replay. Everyone knows what they want, but it's impossible to repeat the lie again and it will be exactly the same as the first time. This is what has always made me nervous about "Reza", for fear that he will be exposed.
The scene at the beginning of the film where another Jew begged for a sandwich with a Persian book made me very unbearable, almost pleading for a bite of food, they didn't know what was waiting in front of them, everyone was ordinary people, this kind of simple misery It made me sad, and in the end "Reza" got a chance to survive with that book, but it was still difficult, he was only slightly better than the others, but still dignified and walking on thin ice.
In fact, I don't really understand how people who hit CP think. Although many pictures in the same frame are very harmonious, they are naked and bloody jungles and oppression, and their status is not equal. To Klaus, "Reza" was just a tool, and the job of this tool was obtained by "Reza" with all his strength, and it was unimaginable how he would make up this big lie. At the beginning he was restless every day, we can see his fear and cautiousness, and finally, he was exposed, and what awaited him was a storm: punished, abused, he was only one step away from death.
He didn't dare to think about being able to go out alive, even though the situation was a little better, he was still trembling every day. He was able to gain the trust of Klaus, and to a certain extent, he also regarded the false language as his mother tongue. As long as he made a mistake, wait for him The only thing is death, and his situation has always been a desperate situation.
After his death, his lectures were more open, which made him gain the trust of Claus and aroused a little bit of his conscience. The scene that made me cry was the pair of Italian brothers, the older brother was feeding the younger brother canned food, and watching the younger brother open his mouth to eat was really uncomfortable. A tall man lay there vulnerable, just like a child, and suddenly hit me. atrium.
It seems reasonable for Klaus to take "Reza", and now "Reza" has a little weight to him. The last two climaxes in the play, one is that Klaus was arrested for speaking false Persian and his hopes were shattered. At this time, he became the weaker party. How should I put it, my mood is very complicated. Another climax is "Reza" crying and reciting the name of a person he remembers very clearly, his life-saving charm. These names remind me of the Japanese refusal to recognize the Nanjing Massacre, and the evidence has been processed. Does this bloody fact really not exist? Thinking of the decreasing number of survivors of comfort women, I can't help but wonder, does their experience really not exist? Thinking of this, I feel very sad, and I can understand the country's efforts to commemorate the day and the survivors.
The pain really exists, the evil deeds really exist, those living people really exist, and the suffering they suffer really exists. I think this is what this film is trying to tell us.
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