The plot is not ups and downs. An unemployed young girl with only a small luggage in her carry-on finds a job as a temporary babysitter (commonly known as nanny) for a precocious and intelligent 12-year-old boy.
The boy's family is rich, his mother's tutor is very strict, his father died young, he lives in a big house, has a group of servants, and is equipped with a chauffeur. After school, he specializes in playing the cello, and he is quite talented, but music does not seem to be the way out for his future. Highly intelligent, precocious and unsocial. Of course, it is very cute and looks too. The only downside for me is that he speaks too vaguely, and it is difficult to understand him in English without subtitles. Haha, this is my personal problem, not his character.
Young girl played by Leighton. From the bottom, family and personal emotional problems continue, succumb to reality, give up the music that I love, and return to my hometown to have a new job and my own small house.
In a short time of company, two lonely and lost people warm each other up. There is no love, but it seems to be beyond love. Music is the beginning of mutual understanding between two people, and it is also the end of the last two people who resonate across time and space.
There is no deliberate lyricism, no plots one after another, no twists and turns of dramatic conflict, just like that piece of music, you think it sounds good and you want to listen to it more, in fact, it’s just a period of repeated repetitions, no longer foreshadowing, no more. Intense orgasm.
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