Three and a half. Japanese-style pure love movie, the love work of Nakamura Shido and Takeuchi Yuko. From the film alone, except for Nakamura acting like a mentally handicapped child, the others are still as warm, romantic, beautiful and sensational as the usual Japanese sketches. Unlike the heart-piercing crying of Korean dramas, the mood of melancholy sighing and not hurting is the style of Japanese movies. It's just that we know everything that happened in and out of the play afterwards. With these lace news as the background, Nakamura's acting skills and his affectionate lines towards Takeuchi are very contrived and ironic. I remember that when the two of them got married in a flash, there was an uproar in Japan. After all, compared with Takeuchi, who was young and beautiful in appearance and had a thriving career, Nakamura didn't have any bright spots except that he was more famous in Kabuki than her at that time. Most of the Japanese female artists who got married with their sons ended up in a miserable marriage. Norko Sakai, Namie Amuro, Rie Miyazawa, Ryoko Hirosue... all of them. Marrying ugly men is not much better, such as Fujiwara Norika and Jinnai Tomono. So after a lapse of more than ten years, I will watch this film again, and it will be played in minutes. I don't know how Takeuchi was chased by Nakamura back then. Maybe he valued his dullness, thinking it was a symbol of maturity and loyalty. However, mediocre men are more eager for the favor of the opposite sex than the handsome men on the outside. They need constant women to satisfy the lowliness in their hearts, and they get worse after they become famous. In the play, he worked hard to play a submissive and affectionate image, but it made people sneer. Really, "Men are bad, if you want to find handsome." Alas.
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