From the past to the present, the scene has always been straightforward but nihilistic, and it has been integrated into the details of reality bit by bit. Even when talking about love, Wei Wei smiled shyly, without pretending to be sentimental. The rain is falling little by little, big or small, six full weeks of rainy season, six weeks of lingering, six weeks of miracles.
In my opinion, the color saturation on the picture is very good, every picture in the film is very clear, and the color processing is vivid, not at all dull or fuzzy. The yellow hat, the green trees and the blue lake, the pure white skirt, the red umbrella, the yellow tones of the objects in the whole house... The true colors of everything are accurately and charismatically restored. Those bright lights and The color and luster are spread out, making the scenery in the story very charming. The green trees on the side of the road, the shady woods, and the beautiful lake water, the home is almost in a paradise, which is particularly fascinating. I love the beauty of that hideaway, and I love living there with my loved ones. . The mountains are shrouded in mist, and the miracle of the rainy season happened in such a beautiful scenery. There is also a scene in the story in a sunflower field under the sun. The golden blossoms in the sun are embellished in pieces, which are extraordinarily warm. But at the end of the story, when the sunflowers in front of the hut in the forest bloomed, it was brilliant and sad.
About crush. Many, that year's Liu Yun was exceptionally clear-cut, when he was still young, he had a crush on her, and she was secretly in love with him. The reason why a crush becomes a crush is because they don't know each other in their hearts. The last drop of water on the leaves fell gently, and the layers of the puddle fainted. In the reflection, he stood upright, and the child who danced the four-leaf clover in his spare time, Yusi. "Qiu Sui-kun, it's so cold," she said, and put her hands in his pockets to warm her up three times in her memory. When she met him with amnesia, she fell in love with him again, "as long as they meet, they will definitely attract each other".
The story seems to be entangled in some details. The countless unknown flavors are used in the current situation and the past memories. The two clues are connected, and the final truth is written bit by bit.
Women say to men, we will live well. Always appreciate this emotion without a hint of color. Life is simple and without glory. There is a child, a home, a warm garden full of sunflowers. The woman says good morning with a smile. Poached eggs, curry rice, milk. Life is always simple and rich. The child's notebook, the puppet hanging upside down, goes to the school path. Men's bikes, backpacks, prosaic work. The woman's white long dress, the back view of mopping the floor. Children are lively and healthy, women are calm and smiling, and men are simple and do not speak much. Live peacefully every day and love each other like the end of the world. How many people in this world can love so simply.
Japanese films always feel real and calm, with painful endings, with a smile, in the ending credits. There was an extremely fluctuating emotion inside. Inside the viewer, it is painful. The picture of the film is always clean, that short rainy season, green forest, four-leaf clover. Jumping kids, couples walking slowly. A smile spread across his mouth. He is a restrained and plain man, and she is a peaceful and beautiful woman. She appeared in the rain and the child screamed: "Mama". The man smiles. Such an appearance, they have been waiting for a long time.
The sun comes, and summer arrives. The woman said to the child: "Yousi, listen, Mom is leaving. We have to say goodbye. Mom and Dad met for you, and you are a child who brings happiness. I want to be a perfect adult in the future, Dad please. Take care." The child nodded ignorantly. It's sunny and my heart is broken. Miraculously, it disappeared. Never before has such a ray of sunshine that should be warm makes people so
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