Played beautifully. Although after reading a post about data analysis of martial arts guidance, I deeply felt that the only way to fight is to be beautiful: pieces of clothes back and forth, body twirling, banging noises, etc., but I still think I buy it. As a girl, that's enough, isn't it!
However, in the later stage on the water, there was an obvious problem with the connection of the action, probably because the budget was not enough... = - = I still hope that an actor can bring back the fixed-point appearance in Tsui Hark's old films.
It can only be said that in today's fights, there is more than enough flair and strength, and more than enough softness and tenacity to be domineering. However, Feng Shaofeng is really stealing the scene this time. He doesn't have the soft feeling he used to have. Although his voice is still soft, especially when he pats Di Renjie on the shoulder, hahaha...
Although he is still a little mentally handicapped to solve the case, But at least the context is smooth, and there is at least a driving relationship in the plot. There are a lot of bugs I won't talk about...because most people can see it.
Weapons and screen design are still too bright (32 likes), and some new screen display methods are really cool. Very bold, praise! Especially from modeling to real scenes, the restoration of some scenes in the character OS, and even the special effects in front of lip reading, I can't help but think of some excellent American and British dramas. The use of learning is just right, even if good steel is spent on the edge of the knife. But I have to say, the level of special effects is really unbearable to look at... The special effects in the first half are much better than the rendering in the back, and the special effects in the water battle in the back are like Ultraman, which reminded me to retrieve my childhood memories.
But most importantly! What the hell! I actually didn't bother about the actors all the way down, and I found it quite pleasing to the eye! that's enough! And why, I'll wait and see.
In this way, spending one movie's money and one movie's time feels like watching three movies (suspense, monster, disaster)! made money!
Okay, no bullshit.
At the end, the series is established.
Many people say that Tsui Hark ruined the image of Di Renjie. How should I put it... Compared to the vampire Lincoln, I think it should be similar.
The most subtle part of the whole film is that after I finished watching this, I turned around and turned to the Empire of Heaven. When you connect this character relationship, you are deeply abused by your own brain supply.
Tsui Hark's skills are always revealed in retrospect after the movie. Every time we watch a movie, it seems that the past and present of the characters can still be used to make us imagine something. So there are always a lot of his movie fans... But this time, Tsui Hark's conception is more clear.
What he shakes is not the story, but the structure between the characters.
Taking Empress Wu as the axis, Di Renjie drew such a circle as the radius, crushing the people involved.
This is the real purpose of Di Renjie's series. So...for acting skills or something, there is not much demand at all.
These days, when contrast has to win with storylines, I'd really like to see such a structure-supported series. Look how many years Hollywood has been doing this.
What? You say there is no bond between the characters? It's not enough to rely on audience YY, why take up movie time! Don't you know that this series is actually a fill-in-the-blank question?
PS: Empress Wu! Are you here for the fashion show? ! The clothes are so beautiful! The aura is good enough, and the people are so cruel! The final revenge is cruel and cute!
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