On the one hand, this film is due to the fact that the neighbors have been watching Di Renjie series, and the Four Heavenly Kings just released the resources a while ago, and the TV box at home happened to watch this film for free, and I took my parents to watch it for a while, but It should be because I am getting old, and I miss Tsui Hark’s early martial arts movies more and more. When I watch it, I start to wonder what it would be like if there were many scenes in the 1990s. I should keep watching it.
Just like when I complained about my family, my biggest flaw in this film is: the film looks too "clean". The faces of the characters are clean without sweat and sea water, the clothes are clean and not tattered, the ship has a serious CGI smell and it looks very new, unlike the battle-hardened warships, the prison cell is also clean, and it looks cleaner than my toilet. Guan Linghuchong's prison in The Invincible of the East is dirty and messy. Angela is too white and clean, and she has been in prison anyway, but she is still so clean when she pulls it out. The reason why I felt real about Tsui Hark's rivers and lakes before was actually a "sloppy" taste in the film. After all, it is impossible to dress up like a big girl in a deep house. The feeling of wandering is to use the "sloppy" characters and environments. As for Di Renjie and Dali Temple, when helping people who often work outside the case, they should also appear "sloppy", or use some techniques, such as letting Feng Shaofeng's role "organize appearance" or "focus on Dali Temple" "Image" to express the character is not messy, it may be better to shape the image. I personally understand that maybe the "idol burden" of these characters or the company behind them is a problem. In fact, the handsome guys and beauties mess up not only the flaws, but also the taste. In addition, I was frightened by Angela's sudden driving. The style of painting jumped from the famous prostitute of the Tang Dynasty to the European and American style of female attackers. Orz The biggest surprise in this film is Chen Kun. Arm, the pharmacy's malice at the end of the credits made me laugh, how good is Tsui Hark doing this kind of humor. Not too familiar with Lin Gengxin, his character might be cuter if he was set as a doctor who tastes things with his mouth (yes, Connor).
There are indeed too many computer animations in action design, and there are also many computer animations in Hollywood movies, but the fist and foot fights are all done by real people, but why do you even start to use animation for basic actions such as "flying over the eaves" and "light power"? If the "throwing hidden weapon" is done with physical special effects, the impact will be better. Feng Shaofeng's weapons will look better if more physical actions are used. Zhao Youting's kung fu doesn't seem to be particularly good, although he has some skills used by detectives, it may be better if these skills are set as Di Renjie's unique internal skills. You can use your internal strength to improve your senses and so on, and then you can simply predict the movement of the opponent's muscles, heartbeats and eyes when fighting. Feng's clone kung fu also has obvious CG effects. Xiang Wentian's afterimage swordsmanship was so beautiful back then.
The film is alright in terms of the big plot. It's a very simple story of foreigners trying to subvert the imperial court, but the details are really alas. First of all, if you can poison the "gong tea", why bother? Can it be poisoned in other things? Such as medicine or food specially provided by officials, etc. When I landed on the island, I could secretly land on the island at night. It can only be said that the security awareness of the villain is too weak. At first, I was looking forward to the super sea battle around the island. Island, and then you can fight the boss. There is also a little "inadequate climax" in the boss fight. The setting of the cliffs and cliffs is very good. If the villain and his subordinates played a little more beautifully, it would still be the battle of Heimuya back then. classic.
When I saw the concept painting at the end of the film, I felt that domestic film and television were really inseparable from history. While using the actual historical background and characters, they also used the illusory history. I remember that there are several settings in the domestic overhead world that are very good, but also, the overhead world of history may be unfamiliar to the audience, but the sense of substitution is not strong. Replace the background and characters of the Tang Dynasty in this film with a completely overhead world view If so, it might not be that attractive.
I hope Tsui Hark or someone else will make a film that pays homage to the martial arts films of the 1990s. Via, white powder, somersaults, and explosions on the water. I still want to see these things.
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