Tsui Hark's feelings are no longer there. The heroic Xu Daxia, who has family and country feelings, has returned to the mountains and forests, and ran out of a professor Xu who has been studying 3D technology all day (actually a three-dimensional shadow play), and he can't tell stories anymore— - Don't think that you have caught a sea monster from Pirates of the Caribbean, and then apply the story frame of the undefeated East of the Swordsman, I can't see it, it's obviously taking your money. I won't be able to tune the actors anymore - the boring performance of a group of sissies is really exciting. The action scenes are getting more and more elegant, and more and more fancy, but the blood is still not up. It's really a tasteless blockbuster - it's no problem to attract money, and you don't want to think about good works.
Thinking back to Tsui Hark in the past, Xiaoao Jianghu, Huang Feihong, Xinlongmen Inn, Green Snake, all classics, all high-spirited, unrestrained, all the characters are loyal and courageous, dare to love and hate. Even a love movie like Liang Zhu's is so heartwarming that it urges people to urinate. All gone. Now, only technology comes first, and connotation comes first.
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Young Detective Dee: Rise of the Sea Dragon reviews
