Take this film as an example, let’s talk about how men can strengthen the subjective and object modes of men and women without revealing any traces in the movie, and infringe and distort the audience’s cognition.

Janae 2021-12-14 08:01:06

From "Hidden Camera" and the long commentary, this movie is about the integration and conflict of French immigrants. What does it have to do with men and women? Netizen: I have watched this movie, so don't lie to me.

Only women will say that we want to tell the story of women. Men will not tell you. He wants to tell the story of men. He will say that he is talking about human nature, so of course there will be no gender label in this film, but as long as there are people, the gender is exist.

At the beginning of the movie, indoor shots

In the camera, the position of the male and the female, the female is always facing away from the camera, so that it has been on the stage for 15 minutes. We are still not sure that this is the greatest French actress?

Maybe someone wants to refute it. It’s the first actor. In this story, women are only supporting roles. Watch the next scene.

The son is back. At this time, the composition of the movie is the positioning of the family. The hostess has never been positive. The story is triggered by a video tape, and this video tape was first discovered by the hostess when she came home. Why did she find it? Because she is going to be the first to go home to cook, but she is not even as important as the blue plastic bag in the director's narrative.

Basically, such shots are everywhere. The hostess seems to be the ghost of this family. Of course, she can't always be treated as if she doesn't exist. It would be too deliberate, and she will still give a few positives.

The heroine of this film also has a job, but there is never a description of her work scene. Reason: She is not the protagonist, so she can reasonably cook at home. The woman does not cook at home after get off work, what can she do? The director couldn't think of what a woman could do, and was not prepared to think about what she could do. When the female audience saw this, they didn't have a bowl in their hands, and they already had a bowl in their hearts to serve her husband.

With the deepening of the plot, the hero finally found clues in the frequently sent video tapes in the picture below.

The hostess came over and asked what she found?

Let’s pause here and replay the story. A videotape appeared at the door of this house. The female protagonist was the first to find the videotape and took it into the house. The male protagonist saw and asked what it was. The scene of the street at the door taken by the camera, the content of the video tape is not particularly directional, but I have to admit that, without spoilers, we all connected the video tape to the male protagonist.

We should have a question, why is this mysterious videotape not the secret of the husband and wife? Not the secret story of the heroine?

This question is not unreasonable, because the heroine also has this question, see the picture below

The hostess asks: Could you please reveal some clues, maybe it is related to me

After the movie played for 50 minutes, the heroine finally remembered that this video tape might also be her secret.

Then there was a quarrel routine that we took for granted, we have seen it thousands of times, see the picture below

The hostess asked: I can’t believe that you refused to tell me what you found!

Male protagonist: Don't make trouble unreasonably, okay? It's not what you think?

Here is a typical pattern of quarrel between men and women that has been instilled all the time. The man speaks ambiguously, stubbornly, with heads and tails, mysterious and unpredictable, while the women are hysterical and unreasonable. I don't listen and I don't listen.

Everyone would say that a woman just doesn't make sense. As for why she loses her temper, no one cares.

The director of the film started with a non-directional video tape, first gave the female host to define the direction of the tape, but she didn’t have one, so she threw the tape aside, and then the male lead picked it up and began to study the tape. Pulling the videotape's story in its own direction, that is, taking it for yourself. At this time, the heroine woke up, ah, maybe this thing originally belonged to me, she was angry and expressed her emotions, but it was too late.

In the eyes of others, she is just a crazy woman who was killed halfway. The theme of this movie has nothing to do with you, and the result of this world is that you are not the protagonist.

At this time, we have to have a second question, why doesn’t the hostess care about this stuff? For example, if a mysterious thing appears at your door, who will be its digger?

The hostess picked up the video tape and put it down after unpacking it. Why did she go? She went to cook, and she had to clean up and wash the dishes after she finished cooking. When she remembered (maybe too tired to remember), the hero was already watching the video.

This scene is presented truthfully in the movie, and it does not seem to be related to the final theme, but since the director has shown you such a long section, there is room for thinking.

Since this quarrel, the main line of the story has been completely separated from the heroine, and the next is the history of the hero (male).

The story of human nature

As viewers, we have experienced a brainwashing violation of human nature (male), which cannot be withdrawn, and movies with Trojan horses hidden are everywhere, which is impossible to prevent.

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Extended Reading

Caché (Hidden) quotes

  • Georges Laurent: Isn't it lonely, if you can't go out?

    Georges's Mom: Why? Are you less lonely because you can sit in the garden? Do you feel less lonely in the metro than at home? Well then! Anyway, I have my family friend... with remote control. Whenever they annoy me, I just shut them up.