The title of Steelmaking 2011 theatrical version
is really enough to pretend to be B at first glance, but after watching the movie, the evaluation is completely different. It's so damn touching, it reminds me of the first level of Fantasy World Records, which had a similar title The Forest of Sighs. The location of the scene adds a soul-stirring feeling to the story.
There has never been a theatrical version of mainstream animation that can achieve such a level. It is completely comparable to the first-line works of Otomo Keyang and Xinghai Makoto, and even has the potential to catch up with Hayao Miyazaki. I wrote down the name of the director Kazuya Murata here. I checked that I had only shot symphonic poems before, and it seemed that it was an outbreak after a lapse of 6 years. Many Niu B characters are born in this way, and only after a long period of dormancy and hard work can they achieve their future glory.
The storyline itself still uses the old-fashioned story mode. The protagonist of the original work with the same world view, for some reason, set foot on a new land as the stage to start a love war story related to one or two new protagonists. It can be said that all the Naruto Conan theatrical versions are unfolded in this way. This mode also applies to various special articles. But there is one biggest difficulty with this model. It's how the protagonist of the original work and the new protagonist are flat and horizontal. The strength and stealing of either side will make the story itself look very patchy. If you don't understand this sentence, just watch a Naruto theatrical version and you will understand. Naruto is a typical example of the protagonist of the original work too grabbing the scene. For the typical example of the original protagonist grabbing the scene, you can refer to the Conan 1300w hostage special chapter. Have you ever seen a character who appeared in an episode so popular that fans built a website for him? I can't remember the name of the male protagonist of the Ferris wheel, but his story of Niu B will definitely stay in my heart forever.
This theatrical version of Steelmaking will definitely become a textbook-like existence in the future. The original protagonist is the core of the story, and the original protagonist mainly plays the role of a wedge for threading the story and promoting the plot. A perfect combination. Letting Al and the new protagonist have an ambiguous relationship is the icing on the cake.
And the production of this work can be said to be very sincere and full of sincerity. The climax from the imperial capital to the new city is completely in line with the business model of watching the theatrical version. Compared with the various pit fathers of Conan recently, it is really moving to tears.
Special mention to this theme song. The addition of the rainbow combination adds a lot of color to this work. Their impressive work also includes the theme song for gundam00 and the theme song for the Guardian of the Spirits, Shine.
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