I don't agree with someone who says that "Hawaii plays down the sharp contradictions faced by homosexuality in society, this is a world where there is only love". Literary films generally don't have junk scenes, and the appearance of my brother is by no means to make up the time. His dialogue with Eugenio revealed the disparity between Eugenio and Martin. To quote someone else's film review: "The employer's confession is hypocritical and domineering, and the employee's confession will appear to be sold." The film mentions a story by Eugenio about a capitalist father and a young girl with a communist consciousness, which just hints at the huge gap between the class, status, or rich and poor of the two. I think that's another special angle where you can see the inequalities of status faced not just by gays but also by countless people who are in love - the resistance to love.
So when you are not sure whether the other party likes you, there are only endless temptations and countless retreats. After Martin kissed Eugenio, Eugenio said, "You're doing this because you saw those paintings." Eugenio liked Martin so much, but he was so afraid that Martin didn't show his sincerity. Martin left angrily because of these remarks, leaving Eugenio alone in despair. It was not until Eugenio discovered that Martin had secretly picked up a book he didn't want with his photo in it, he didn't realize that Martin's love for himself was the most pure love without any interests mixed in. At the end, Eugenio made a final confession to Martin, who disappeared, with a slideshow containing the two pineapples they saw as children-
"If I'm a pineapple, and you happen to be a pineapple, then it's enough for us to stare silently."
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