Compared with [Taekwondo] and [Blonde Man], this one is a bit more wanting to be repressed. The opening is a silent film for several minutes, with some weird and gloomy soundtracks and cool tones. What remains unchanged is that the director is the same as always. It is ambiguous and provocative. The story tells that two people have a crush on each other, but it is completely opposite to the more bright and provocative ambiguousness of [Taekwondo]. In this dilute and unassuming atmosphere, this provocation and ambiguity are particularly restrained. , dull, but interesting that the atmosphere of the two films at the end feels like a kind of unity.
Compared with [Taekwondo] and [Blonde Man], this film is more neat and templated. The whole film is developed in two lines. The first dominant clue is that the male protagonist is different from Martin in his desire and restraint. The complex psychology of constant struggle between them, the director created this dull and restrained atmosphere to cater to the complex psychology of the male protagonist. The director shot a large number of close-ups of the thoughtful expressions on the male protagonist's face to highlight the complexity of the male protagonist's heart. In addition, there is another invisible clue is Martin's attitude towards the male protagonist. From the beginning, in order to make money, he didn't think much about the doubts about the male protagonist's ideas to seeing through to the temptation. The two lines complement each other and influence each other. The attitude of the male protagonist It affects Martin's attitude, and Martin's attitude affects the attitude of the male protagonist. In addition, the movie has no more ingenuity than [Taekwondo] and [Blonde Man], and it is a more standardized work by the director.
View more about Hawaii reviews
